REVIEW POTPOURRI – Composer: Bartok; Musician: Sidney Bechet; Comedians: Jonathan Winters & Dean Martin

Peter Catesby Peter Cates


Divertimento; 5 Chants for Children’s Chorus and Orchestra; 12 Miniatures for Orchestra
Vassil Kazandjiev conducting the Sofia Chamber Orchestra, with the Bodra Smyana Children’s Chorus directed by Liliana Bocheva singing the five chants – Balkanton/Harmonia Mundi HMB 103, stereo LP, released early 1980s.

Vassil Kazandjiev

Also a noted Bulgarian composer and now 84, Vassil Kazandjiev conducts these very fine performances and recording of three Bela Bartok compositions, the haunting, eloquent 1939 Divertimento for strings; the earlier Five Songs for Children’s Chorus and Orchestra and the Twelve Miniatures for Orchestra. All of these add up to a solid program of three works of the great Hungarian composer (1881-1945).

I have CDs of Kazandjiev conducting the Berlioz Symphonie Fantastique and Beatrice and Benedict Overture and the Brahms 1st Piano Concerto with Ivan Drenikov, soloist, all three very well-conducted.

The Best of Sidney Bechet

18 sides for Alfred Lion’s Blue Note label, 1939-1953.

Sidney Bechet

The brilliant clarinet and soprano saxophone player Sidney Bechet, 1897-1959, recorded such classic standards as Summer­time, St. Louis Blues, Muskrat Ramble, All of Me, etc., included on this Blue Note CD transfer reissue with guitarist Teddy Bunn, pianists Meade Lux Lewis and Art Hodes, drummer Sid Catlett and trumpeter Jonah Jones among the sidemen working with Bechet.

Jonathan Winters and Dean Martin

At the Bar: 12-minute comedy YouTube from the 1970s Dean Martin Show.

Dean Martin

Jonathan Winters

The late comedians, Dean Martin as the bartender of his own nightclub, and Jonathan Winters as four characters with different personalities and voices, one of them an 86-year-old lady. Dino works with a script while Winters is totally unpredictable, with nobody ever knowing what he is going to say and do. As the old lady, she comments on her figure as an “uprooted rubber plant.” In the sketch of the grieving relative driving 2,500 miles that day to attend the burial service of a step-cousin dropped in an open grave wearing only poker dot trunks, he laments the inconsiderate behavior of his only heir, a 15-pound tomcat receiving $4,000, as not even bothering to attend the funeral.

REVIEW POTPOURRI – Novelist: John MacDonald; Music: Mozart

Peter Catesby Peter Cates

John D. MacDonald

A Deadly Shade of Gold.
Fawcett paperback, 1965, 287 pages.

John D, MacDonald

Novelist John MacDonald (1916-1986) produced over 70 pulsating examples of the suspense genre. They included the classic thriller Cape Fear which was transformed into the 1962 film starring Robert Mitchum as the villain Max Cady and the 1991 remake with Robert DeNiro portraying the same psychotic fiend. Both actors outdid themselves in one of the most persuasive depictions of evil on the big screen, maybe at the same level as Lee Marvin, Clu Gulager and Ronald Reagan in 1961’s The Killers.

Deadly Shade is one of the 22 novels in MacDonald’s Travis McGee series; McGee is the riveting combination of beachcomber/salvage expert whose particular salvaging involves too many up close and personal encounters with the most dangerous people. Its plot centers on an old friend of McGee’s dropping in one day with a problem and very quickly later found cold-bloodedly murdered. The story is off and running in MacDonald’s unique manner, the only consistent annoyance being his insipid handling of love scenes. A very recommended reading experience!


Duo for solo violin and viola, K423; Sinfonia Concertante K364- David Oistrakh, violist and son Igor, violinist, with Kyril Kondrashin conducting the Moscow Philharmonic in K364, London stereo LP, CS 6377, recorded during the 1960s.

David Oistrakh

Igor Oistrakh

Two of Mozart’s beautiful compositions involving viola and violin are performed by father and son Oistrakh in a very fine collaboration with Kyril Kondrashin and the Moscow Philharm­onic with interesting liner notes by the late record producer Erik Smith. Also available on a CD.



REVIEW POTPOURRI – Music: Classical Journey; Film: The Loved One

Peter Catesby Peter Cates

Classical Journey

Volume 4:France;
Laserlight 79 669, cassette, released 1991.


Some of the best of France’s shorter classical works are to be found here – Offenbach La Vie Parissienne, the always riveting Auber Fra Diavolo Overture, Herold Zampa Overture, Boieldieu The Lady in White Overture – quite engaging and new to me, Meyerbeer Coronation March, Delibes Coppelia excerpts, Massenet Meditation, Berlioz Dance of the Sylphs, Chabrier Joyeuse Marche, and the Saint-Saens Danse Macabre.

Conductors Pinchas Steinberg, Tamas Pal, Caspar Richter, Heinz Fricke, Andras Korodi, Adam Fischer, and Rouslan Raychev are not exactly household names, but they are very good. Orchestras are Berlin Radio Symphony, Hungarian State Orchestra, Cologne Radio, Budapest Symphony and Philharmonic Orchestras, and Plovdiv Philharmonic. The lineup of talent and repertoire are very well-matched and the cassette and cd should be very inexpensive. I like this a lot and will keep my copy!

James Coburn

The Loved One

Starring Jonathan Winters, Rod Steiger, James Coburn, Tab Hunter, Dana Andrews, Paul Williams, etc.

Jonathan Winters

Rod Steiger

The 1965 film, The Loved One, is a very funny satire on the funeral industry. Jonathan Winters plays a dual role as the Divinely Rev. Wilbur Glenworthy and his hapless endearing brother Harry; Rod Steiger as the mortician, Mr. Joyboy; and such seasoned stars as Milton Berle, Robert Morse, Robert Morley, Liberache as the casket salesman, Tab Hunter, James Coburn, Lionel Stander, Dana Andrews, Paul Williams etc., are in peak form. There is a five-minute sketch of Liberache’s salesmanship that conveys maximum humor in a minimum of time.

REVIEW POTPOURRI – TV: NCIS; Conductor: Andre Cluytens; Film: Dark Eyes; Music: Liszt

Peter Catesby Peter Cates


Current Netflix 15th season

Mark Harmon

This program featuring naval intelligence stories is one that keeps on giving. I am convinced some viewers watch it for the facial expressions of Mark Harmon alone. The balance of humor and suspense is another factor. The addition of Maria Bello as special agent Jack is a third factor. The series is one special in ways beyond description. Try the first five episodes of the 15th season. They are entertaining.

Andre Cluytens

The Complete Concerto and Orchestral Recordings
Erato. 65 CDs.

Andre Cluytens

The conductor Andre Cluytens (1905-1967) was one very gifted individual. I have been collecting his recordings for about 20 years. They are the gift that keeps on giving as far as I am concerned. Beethoven Concertos with Solomon and Oistrakh. Debussy, Ravel, Franck, Bizet, Gounod, Rimsky-Korsakov, Rossini, etc…

The best approach would be to sample the various YouTubes and decide if he is for you. There are videos as well.

Dark Eyes

Nikita Mikhalkov

Dark Eyes is the 1987 film of Nikita Mikhalkov. Francis Lai’s soundtrack is a mixture of Mozart, Strauss, Rossini, Lehar and Francis Lai himself, most famous as the composer of A Man and a Woman. It is a mix most suitable for pleasant ambiance at dinner parties and very listenable. The soundtrack is on the DRG label, a cassette with the catalog number SBLC 12592. The actor Marcello Mastroianni.


Piano Concerto No. 2; Sonata in B minor.

Franz Liszt

The Concerto has Walter Susskind conducting the Philhar­monia Orchestra and the Angel lp is from the ‘50s – Angel 35031. Again this Polish pianist, Witold Malcuzynski, knew how to make the kind of music making that wore well, much like the conductor Andre Cluytens. His Liszt recordings had the combination of musicality and virtuosity that elevated my fondness for this composer, the 2nd Concerto and Sonata being cases in point.

YouTube is a good place to sample these selections mentioned above.

REVIEW POTPOURRI – Singer: Laura Nyro; Director: Yannick Nezet-Seguin

Peter Catesby Peter Cates

Laura Nyro

Laura Nyro

Smile, Columbia AL 33912 LP ,1975.

The late Laura Nyro was one very gifted singer, songwriter and pianist. A number of songs, Stoney End, Stoned Soul Picnic, Wedding Bell Blues, etc. have been covered by such artists as Barbra Streisand and the Fifth Dimension.

The 1975 Smile is a sterling example of the searing beauty and power of her on-going themes – life in the Bronx. Sexy Mama, Children of the Junks, Money, I am the Blues, Stormy Love, The Cat-song, Midnite Blues, and the title song mirror the drug addictions, needs to survive, and the moments of joy and love that preoccupy and sustain us. An album highly recommended.

Yannick Nezet-Seguin

Yannick Nezet-Seguin

The Rotterdam Philharmonic Orchestra Collection
Deutsche Grammophon 4835345, 6 CDs, live concerts 2008-2018.

Presently the music director of the Metropolitan Opera and other orchestras, Yannick Nezet-Seguin conducts the Rotterdam Philhar­monic in works by Beethoven, Shosta­kovich, Mahler, Tchaikov­sky, Bruckner etc. The performances are good, especially the Bruckner 8th Symphony, and would fit the needs of anyone wanting a set of choice basic repertoire.

REVIEW POTPOURRI: Yellow Rolls Royce/Umbrellas of Cherbourg Excerpts

Peter Catesby Peter Cates

Yellow Rolls Royce/Umbrellas of Cherbourg Excerpts

Cinema Sound Stage Orchestra, Somerset records, LP, 1965.

Rare photo of D. L. Miller

The 1964 films, Yellow Rolls Royce/Umbrellas of Cherbourg generated original musical sound tracks. The above release had no connection with the originals. The Cinema players were hired by D.L.Miller, a fascinating businessman worthy of a biography while the group consisted of Hamburg Philharmonic musicians.

The Ray Charles Singers

Miller created Somerset because of the huge demand and success of of other labels’ low priced LPs. He then scouted for talent among a variety of superb musicians – conductors Sir Adrian Boult, Horst Stein, Hugo Rignold, singing group the Ray Charles Singers etc. His arguably most well known 101 Strings, recorded a pile of albums that sold millions and are still popular.

Riz Ortolani

Film composers Riz Ortolani (1926-2014, Yellow Rolls Royce) and Michel Legrand (1932, Umbrellas) have left sizable legacies. Their music on this record is imbued with charm and carefree gaiety. Interestingly, Ortolani plagiarized a passage from Alexander Borodin’s Polovtsian Dances for one of the Yellow RR tunes. While I generally like Le­grand’s music better for its consistently beautiful qualities, I was eager to hear Ortolani’s excerpts because of my previous lack of any familiarity with him. What I heard was okay but with a few bland moments.

Michel Legrand

All in all though, the record can be heartily recommended to film music connoisseurs and any other interested collectors.

It has been out of print for many years yet copies are listed for sale on Amazon.





REVIEW POTPOURRI – Bizet: Carmen excerpts

A couple of Remington Records colorful album jackets

Peter Catesby Peter Cates

Georges Bizet


Carmen excerpts
Remington RLP-199-15, mono LP, recorded in 1950.

Remington records was started in 1950 and stayed in business until 1957. The records themselves often had noisy surfaces; they also had very beautiful and colorful album covers, which makes them often collectible and also very expensive on different Internet sites. Finally, they had a catalog featuring both standard and unusual repertoire, artists familiar to classical record connoisseurs, and its share of pseudonyms or phony names.

The opera excerpts are beautifully sung, so many of the melodies – examples such as the Toreador Song, Habanera, etc. – appearing in everything from TV shows to ads. The names of the singers and conductor are unfortunately nowhere to be found, even on the Sound Fountain website, which otherwise contains so much fascinating info on the label and lots of photos of its album covers, including this release. Just type in the following on Google: Remington records, Jean Allain – Bizet Carmen and/or, which is listed under Remington records on the Google site!

Musically, every Remington record on my shelves has something interesting, despite its faults otherwise.

REVIEW POTPOURRI: The World’s Greatest Cellists

Janos Starker

Peter Catesby Peter Cates

The World’s Greatest Cellists

Sine Qua Non-SQN-112X, three LPs, released 1973.

Pablo Casals

The set contains an assortment of truly great masterworks performed by three of the greatest practitioners of the cello. Each individual and his offering(s) will be considered:

Pablo Casals (1876-1973) did more than any previous player to expand appreciation of the cello and its musical depths. A live performance of Beethoven’s very beautiful Archduke Trio, with his very dear friends and phenomenal players in their own right- pianist Mieczyslaw Horszowski (1892-1993) and violinist Sandor Vegh (1912-1997), is moderately paced but phrased with some of the most soulful detail I have ever heard!

Pierre Fournier

Cellist Pierre Fournier (1906-1986) developed a more suave, elegant style that became his endearing trademark for more than 40 years, as opposed to Casals’ soulful depths. The 1955 record of the Brahms’ 2 Cello Sonatas, with pianist Wilhelm Backhaus (1884-1969), captures the wonderful wide-ranging beauty of dignity, passion, joy and reserve in both works.

At an early performance of the 1st Sonata, Brahms played so loud that the cellist , himself an amateur, complained about not hearing his own instrument. “Lucky for you, too,” roared Brahms as he pounded away at the keyboard.

I met Janos Starker (1924-2014) in 1983 when he performed the Elgar Cello Concerto with the Houston Symphony under Sir Alexander Gibson. He exuded a most compelling aura of confidence and performed the work with ease and eloquence. Afterwards in the green room, he was the embodiment of cordiality and good humor when sharing a story of his days as principal cellist in the Chicago Symphony under the legendary Fritz Reiner.

His playing was characterized by a slashing, biting intensity that threw one into the heart of the music. Thus, his recordings of the charming 18th century Concerto in B-flat Major of Luigi Boccherini and the very exciting 1915 Sonata for Unaccompanied Cello further enrich this week’s set of historic recordings, all of which are posted from YouTube on my own Facebook page!

REVIEW POTPOURRI – Singer: Sarah Vaughan

Peter Catesby Peter Cates

Sarah Vaughan

Sings the Mancini Songbook
Mercury, 61009, stereo LP, recorded 1965.

Sarah Vaughan

Billy Eckstine

This very fine album, a bringing together of one of the finest singers and composers in American music history, was a collaboration that never got the attention it truly deserved. Singer Sarah Vaughan (1924-1990) brought thorough professionalism, exquisite taste, and vibrant heart and soul to her vocal art; if she made a bad record, I don’t know of it. Her early jazz sides during the mid-forties, some Columbia singles with arranger Percy Faith released after 1950, the mid-’50s Roulette LPs and ten years of Mercury vinyl beginning in 1957 that had duets with Billy Eckstine, and other entries too numerous to mention add up to a priceless legacy. After 1980, two personal favorites were the South Pacific CBS CD with Kiri Te Kanawa and Mandy Patinkin and the extraordinary Mystery of Man, a song cycle recorded in Germany and based on the poetry of a young man who later became Pope John Paul II.

Percy Faith

Henry Mancini

Henry Mancini produced a large, largely superb body of work noted for its own special beauties – soundtracks for Peter Gunn, Mr. Lucky, the Pink Panther, Romeo and Juliet, Charades, Breakfast at Tiffany’s, etc. forever; jazz and mood music arrangements; and the songs – Moon River, Dear Heart, Days of Wine and Roses, just three of the dozen songs on this week’s album, one most highly recommended.

Several selections can be heard on YouTube!

REVIEW POTPOURRI: Mendelssohn Violin Concerto Part 2

Peter Catesby Peter Cates

(Read part one here.)

Zito Francescatti

Zino Francescatti had a style of playing that was elegant, vibrantly alive and communicative and recorded an early ‘50s Columbia mono LP with Dimitri Mitropoulos and the New York Philharmonic in which this style truly shined. A late ‘50s second recording of the firebrand Jascha Heifetz paired him and Charles Munch conducting the Boston Symphony, a performance that was slightly tamer than the earlier Beecham but an excellent example of the RCA Victor Living Stereo process during the mid and late fifties into the early sixties.

Dimitri Mitropoulos

Jumping ahead to the early ‘80s of digital sound, violinist Uto Ughi and the very underrated Georges Pretre conducting the London Symphony recorded a larger than life, grandly romantic performance for RCA that was so communicative I listened to it several times in a week. Jean Jacques Kantarow recorded a Denon cd in the early 2000s, featuring a smaller scaled, reserved approach, perhaps more suitable for Bach and Vivaldi but delectable in its musical charm; Emmanuel Krivine and the Nether­lands Chamber Orchestra provided superb accompaniment.

Jascha Heifretz

Due to limited time and space and an overwhelming multitude of violinsts and their contributions to the catalogs, I could not cover very worthwhile interpretations by Milstein, Stern, Oistrakh, Martzy, Perleman, etc., but I recommend that those who love this music follow their own instincts in picking violinists, scrolling through numerous YouTubes as a start.