Eberl Symphony in E-flat Major from 1803
Concerto Koln, YouTube
Anton Eberl (1765-1807) was an Austrian composer with 200 works, many of them now lost. He was acclaimed as a pianist and teacher, knew Mozart, was a very close friend of Beethoven and much loved by others during his lifetime.
The composer and his wife traveled to Russia, living in St. Petersburg for several years. But his home was Vienna for most of his life.
Eberl died of scarlet fever in 1807 at the age of 41. Afterwards, for over 167 years, he went into obscurity for mysterious reasons until the slow-moving revival of interest, in 1971, in his legacy. Performances and recordings have peaked during the last decade.
Until hearing the highly recommended above YouTube recently, I did not know of him and his music; the Symphony’s individuality, charm and beauty are undeniable. Concerto Koln’s rendition without a conductor is a very good one.
Original Broadway cast recording, recorded May 3, 1970, Sony/Columbia, cd remastering of original LP released in 1998.
Stephen Sondheim’s musical, Company, is, for me, one of the finest classical masterpieces in existence, along with Mahler’s 5th Symphony, Miles Davis’s Kind of Blue, the Brahms D minor PC, Sinatra’s Watertown, Verdi’s Simon Boccanegra, Joni Mitchell’s Blue, the Sibelius’ 7 Symphonies, Beethoven’s own 9 and his 5 PCs, Gershwin’s Concerto in F and the Puccini Tosca and Madame Butterfly with several etceteras. This original Broadway cast recording, supervised by the composer and the phenomenally gifted producer – then employed by Columbia records – Thomas Z. Shepard, is one worth having on the shelf and worth hearing countless numbers of times by a discerning connoisseur of truly beautiful recordings of great music.
Its classics include the eloquent duet, Barcelona, sung by Dean Jones as Bobby, a bachelor living a life of quiet desperation; and Susan Browning as April, a lonely stewardess whose potential for true love keeps being unrequited. Susan Browning died in 2006 at 65 while Dean Jones passed away in 2015 at 65 – both lived good lives and are very much missed .
Others are Being Alive, The Ladies Who Lunch, Little Things You Do Together, Another Hundred People, Getting Married Today, Someone is Waiting, and the opening Overture, one riveting piece of music on its terms, played, cast- sung, and conducted by the exceptionally gifted Harold Hastings, who died of a heart attack in 1973, at the young age of 57.
After a Boston tryout, Company opened at the Alvin Theatre April 26, 1970, generating 690 performances. Mark Kirkeby’s liner notes for the 1998 CD reissue are fascinating, along with Wiki pieces on the musical and Stephen Sondheim.
A quote from the composer- “I was raised to be charming, not sincere.”
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