REVIEW POTPOURRI: Chechaquo, To Build a Fire, Winter Dreams, Doctor Zhivago scene

Peter Catesby Peter Cates

Chechaquo

When I woke up this morning at 2:30 a.m., the temperature was 9 degrees Fahrenheit. In that context, I find these following sentences from a story written more than 100 years ago quite pertinent, powerful, thought provoking and eerily poetic:

“But all this – the mysterious, far-reaching hair-line trail, the absence of sun from the sky, the tremendous cold, and the strangeness and weirdness of it all – made no impression on the man. It was not because he was long used to it. He was a newcomer in the land, a CHECHAQUO [Native-American definition for tenderfoot, greenhorn, newcomer, beginner], and this was his first winter. The trouble with him was that he was without imagination. He was quick and alert in the things of life, but only in the things, and not in the significance. Fifty degrees below zero meant eighty-odd degrees of frost. Such fact impressed him as being cold and uncomfortable, and that was all.”

To Build a Fire

Jack London

To Build a Fire, by Jack London (1876-1916), first captivated my imagination when I read it in one sitting during my 1964-65 schoolyear at the long-closed Carl B. Lord School, in North Vassalboro. I also soon found out in that initial reading that the man didn’t realize that it was really 75 degrees below zero, not 50 degrees, according to the native husky dog walking alongside him who shared a brotherhood with the wilder wolves and was more experienced, in its brute intuition, with Yukon Territory survival.

Yet another detail of startling vividness was the man spitting saliva and the saliva making a loud crackling noise before it even hits the ground.

Jack London was one of three extraordinary American novelists born during the 1870s who died young, the other two being Stephen Crane and Frank Norris.

Winter Dreams

Tchaikovsky

The First Symphony of Tchaikovsky has the title of Winter Dreams and its second movement has exquisitely hushed strings evoking the peace of nighttime. There are numerous recordings of high quality, several of which can be heard on You Tube.

Doing a quick check, I found four very good ones by Herbert von Karajan, Igor Markevitch, Gennady Rozhdest­vensky and Michael Tilson Thomas.

Doctor Zhivago scene

The 1965 classic Doctor Zhivago had a wide span scene of the vast Russian winter wilderness so brilliantly realistic I was shivering in my seat when I first saw it at a revival movie house some 40 years ago.

Scene from Doctor Zhivago

Give Us Your Best Shot! for Thursday, January 11, 2024

To submit a photo for this section, please visit our contact page or email us at townline@townline.org!

PARTIAL ECLIPSE: Joan Chaffee, of Clinton, snapped this photo of a partial eclipse on October 14, 2023.

SPECTACULAR: Tina Richard, of Clinton, took this spectacular photo of an immature bald eagle during her walk down a favorite trail.

LOW HANGING FRUIT?: Caroline Holden’s game camera caught this deer grazing on some vegetation recently.

FOR YOUR HEALTH: What to know about RSV

(NAPSI)—You may remember the old saying, “An ounce of prevention is worth a pound of cure.” That’s never been more true than it is right now about good health and older adults, especially when it comes to protecting yourself during what is commonly known as respiratory disease season (fall through early spring).
Last year saw the devastating effects of an increase in COVID, flu, respiratory syncytial virus (RSV) and pneumonia on the wellbeing of older Americans. Fortunately, most people had access to vaccines for all but RSV last year. And in good news for this year, for the first time ever, there is a vaccine approved by FDA for preventing RSV in older adults.

The Problem

RSV is a serious respiratory virus whose full toll on seniors is just now being recognized. Each year, RSV results in up to 160,000 hospitalizations among people aged 65 and over and leads to as many as 10,000 deaths in older people in the U.S., according to the Centers for Disease Control and Prevention (CDC).
It can also prove serious for anyone with chronic conditions such as asthma, COPD, heart or other lung problems, certain autoimmune conditions and those receiving chemotherapy or radiation treatments. It is easily spread from contact with a contaminated surface as well as through the air (when someone infected sneezes or coughs), so anyone at any age can get it.

A Solution

RSV vaccines are now approved and available throughout the U.S. and the cost is covered fully for Medicare beneficiaries. These vaccines can truly protect your health across your lifespan as they are now available for adults aged 60 years or older, as well as for infants through maternal immunization.

What Else You Should Know

It is always a good idea to review your health plan. When contacting Medicare, make certain that you are contacting the actual government agency itself. Only government agencies can use the .gov ending and the best number to use to reach trained Medicare experts is 1-800-633-4227. It’s easy to remember – it’s 1-800-Medicare.
The National Association of Nutrition and Aging Services Programs (NANASP) created a resource outlining the five things to know about RSV to help get the word out about this important opportunity to protect the health of older adults. English and Spanish versions can be found at https://www.nanasp.org/vaccines.
It’s a good idea to talk to your pharmacist or healthcare provider about whether you should get the RSV vaccine, and any other recommended vaccines.

AARP Tax-Aide program available in central Maine (2023)

The AARP Tax-Aide program provides free federal and state income tax preparation and electronic filing to low-and moderate-income individuals. Returns are prepared by IRS-certified volunteers. The program is funded by the AARP Foundation, a tax-exempt charitable organization, and the IRS.

Counselors will help individuals navigate the 2023 federal and Maine income tax returns. You do not need to be an AARP member to use this service. Assistance is available by appointment only at the following sites from January 30th to April 15th.

If you were told that you didn’t have to file a tax return, and as a result you didn’t; you may be LEAVING MONEY ON THE TABLE. The majority of low income Mainers qualify for $130 (or more) of Property Tax Fairness Credit (PTFC) and/or Sales Tax Fairness Credit (STFC) from the State of Maine. However, in order to get the credits, they MUST FILE a MAINE TAX RETURN! AARP Foundation Tax-Aide will file your tax return for FREE.

Please remember that our appointment makers are all volunteers and respect them and their time when calling for an appointment. Let them enjoy the holidays and don’t call until after January 1st!

AUGUSTA: Buker Community Center, 22 Armory St.: 8:30 a.m. – 1 p.m., Tuesdays & Thursdays. Call 582-3053 between 9 a.m. and 5 p.m., ONLY to make an appointment.

HALLOWELL: Cohen Community Center, 22 Town Farm Road: 9 a.m. to 1:30 p.m., Tuesdays & Thursdays. Call 620-1183 Monday through Friday 9 a.m. to 4 p.m., to make an appointment.

MADISON: Crossroads Bible Church, 705 White Schoolhouse Road: 9 a.m. to 1:30 p.m., Mondays & Wednesdays. Call 431-4933 Monday through Friday 9 a.m. to 5 p.m., ONLY to make an appointment.

FAIRFIELD: Fairfield Community Center, 61 Water St: 9 a.m. to 1:30 p.m., Tuesdays & Thursdays. Call 431-4933 Monday through Friday 9 a.m. to 5 p.m., ONLY to make an appointment.

I’M JUST CURIOUS: Farewell to a popular columnist

Debbie Walker

It is with sadness that The Town Line newspaper announces the passing of a popular columnist, Debbie Walker. According to her daughter, Debbie passed away on Friday, December 22, 2023, in Florida. Debbie has been a contributing columnist for the past 10 years, and her column, I’m Just Curious, was a mainstay of the newspaper, and a very popular read. The Town Line staff, board of directors, and all other contributors send our warmest condolences to the family.

 

 

 

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REVIEW POTPOURRI: A book, a movie, an album

Richard Cramer

Peter Catesby Peter Cates

What It Takes

A 1992 book, What It Takes, by the late Richard Ben Cramer (1950-2013) examined the lives of six candidates in the 1988 race for the White House: Republicans Bob Dole and George H.W. Bush (1924-2018) and Democrats Joe Biden, Michael Dukakis, Dick Gephart and Gary Hart. It weighs in at over 1,000 pages and is written in an incisively fascinating narrative style that lends itself to dipping into because, life being much too short, one may not have enough time to slog through the entire volume.

In my continuing series on past presidents, I couldn’t have come across, among the piles of unread books in my house, this one at a better time as when I needed something interesting on George Herbert Walker Bush, #41, at 1600 Pennsylvania Avenue.

Since birth, Bush had lived a life of wealth and privilege inside a bubble and Cramer zeroed in on a key moment before the 1981 inauguration when the newly-elected vice-president represented Ronald Reagan at the Massachusetts funeral of former Democrat House Speaker John McCormack:

“It was as George Bush left the church, and all the other mourners were held at the door, as he was guided through a gauntlet of men to the limousine waiting in a ten-car train, as the agents closed him in behind bulletproof steel and glass, and stood round the car, scanning the sidewalks and the empty street ahead, as the motorcycles roared to life and George Bush could no longer hear the men and women with whom he had prayed only minutes before, and he could see only the backs of the agents and the streak of two-wheelers past his shaded window, as even the church was rendered invisible by the men and machines walling him away, then George Bush drew one deep breath, as he turned from the window, and he said to friends in the car:

” ‘God!…Isn’t it great? D’ya ever see so many cops?’ ”

For what it’s worth, I voted for HW in both 1988 and 1992, he had some truly good qualities that, in scanning this book, Cramer seems to have ignored, and I have never regretted these votes.

A hilariously true quote about the vice-president job description was provided by FDR’s #2 man, John Nance Garner (until Franklin dropped him from the 1940 ticket in favor of Henry Wallace): “A bucket of warm spit!”

Coincidentally, both Bush and Cramer shared the same birthday of June 12, along with my nephew Philip Cates, in Florida.

California Split

A 1974 film, California Split, directed by Robert Altman (1925-2006), dealt with the sleazy world of gambling casinos in Los Angeles and Reno, Nevada. One saw the full range of humanity, warts and all, at the card games, slot machines and horse races, from the out of state grandmothers to the starry eyed youth.

The wide spanning cinematography had a certain poetic lyricism in its capturing of detail. The landscape of a highway bus ride from Los Angeles to Reno, along with the glimpses into the 1970s street life of both cities, gave me goosebumps.

I remember enjoying it a lot when it first came out 50 years ago, I recently rewatched it on Amazon Prime and I enjoyed it even more.

Elliott Gould, still living at 85, and the late George Segal (1934-2021) portray two addicted gamblers, Charlie and Bill, who bet heavily at poker games, blackjack, boxing matches, basketball games etc., winning a little, losing a lot and getting into difficulties with their banks, bookies and more ominous characters.

One situation has them winning a lot of cash at poker in LA but encountering a dangerous sore loser who, later that evening, robs them at gunpoint and kicks their ribs several times in the process.. Later in Reno, Charlie sees the robber, follows him into the men’s room, kicks him in the ribs, busts his nose and takes back his cash.

While in Reno, the two, having staked each other, experience a miraculous winning streak of over $82,000, and divide the cash evenly; Charlie wants to continue with the heavy betting everywhere and anywhere but Bill decides to turn over a new leaf and the two men go their separate ways.

Actresses Ann Prentiss (1939-2010) and Gwen Welles (1951-1993) portray two prostitutes Babara and Susan who share an apartment with Charlie and both women brought a wonderful sensitivity to their roles.

Actress Barbara Ruick (1930-1974) brought a beautifully vivid presence as the bartender in the private room hosting a high stakes poker game. Before the movie was released, she complained of headaches and nausea, went to bed early and was found dead in her hotel room the next morning. The cause of death was an aneurysm . The closing credits mentioned her in memory.

Her husband was composer John Williams, still living at 91, who dedicated his Violin Concerto also to her memory.

In the 1956 musical Carousel, Miss Ruick portrayed Carrie Snow, the close friend of Julie Jordan portrayed by Shirley Jones, and sang beautifully in that role. The musical was also filmed in Maine’s own Boothbay Harbor.

The Sound of Tomorrow

In 1963, RCA Victor released a one dollar LP sampler of its new pop and classical releases, The Sound of Tomorrow, and sold it through Buick automobile dealerships around the country. I bought my copy at the then-Silver Street dealership, in Waterville, that was owned by a friend of the family, the late Nick Saporita and played it to death.

I came into a second copy of the LP recently as part of a free crate of records otherwise headed for a dumpster. The Sound of Tomorrow referred to the Dynagroove recording process which proved, in the long run, because of its dryness of sound to be a deterioration in quality of sound rather than an advance.

Anyway, the pop and classical selections were quite good, ranging from the jazz influenced percussion of Dick Schory’s Stompin’ at the Savoy and Sid Ramin’s brassy arrangement of Spring is Here to soprano Leontyne Price’s Un Bel Di or One Fine Day from Puccini’s opera Madam Butterfly and Erich Leinsdorf conducting the Boston Symphony in the Mahler First Symphony Scherzo movement.

ERIC’S TECH TALK: What is “intelligence” in the age of A.I.?

by Eric W. Austin

In an age where artificial intelligence (AI) increasingly integrates into our daily lives, from virtual assistants to autonomous vehicles, the question of what constitutes ‘intelligence’ becomes increasingly relevant. Is it the ability to solve complex problems, the capacity for creative thought, or something more elusive?

When we witness machines performing tasks once thought exclusive to humans, it challenges our traditional understanding of intelligence. This leads us to ponder: can machines truly ‘think’, or are they merely simulating a facet of human cognition? As we venture deeper into this era of advanced AI, it’s crucial to explore not only how we define intelligence but also the implications of attributing such a quality to machines. This exploration raises profound questions about our perceptions of intelligence and the potential risks of misjudging the line between genuine cognitive abilities on one hand, and sophisticated programming on the other.

Defining intelligence has long been a subject of debate among psychologists, neuroscientists, and AI researchers. Intelligence in humans is often gauged by the ability to learn, adapt to new situations, understand complex concepts, and apply logical reasoning. Psychological assessments, like IQ tests, attempt to quantify these abilities, though they remain subject to debate regarding their comprehensiveness and bias. In the realm of AI, intelligence takes on a different hue – it’s about the ability of machines to perform tasks that would typically require human intelligence. This includes pattern recognition, language understanding, and decision-making. However, this technological mimicry begs the question: does the replication of human-like problem-solving denote true intelligence, or is it merely a sophisticated imitation? The distinction is crucial, as it shapes our understanding of AI’s role and potential in our society.

Consider a straightforward scenario: a man is tasked with delivering boxes from Point A to Point B. Upon arrival, his job involves carrying the boxes up a flight of stairs to a designated spot. This task, while simple, is generally perceived as one carried out by an intelligent agent – a human. Now, imagine automating a part of this process: at the destination, a conveyor belt is introduced. Instead of manually carrying the boxes upstairs, the man places them on the conveyor belt, which completes the task. Although the end result is the same, attributing intelligence to the conveyor belt seems illogical. This suggests that the mere completion of a task, initially performed by a human, doesn’t inherently transfer the attribute of intelligence to the machine.

On the other hand, consider a task undeniably associated with human intelligence: writing a poem in iambic pentameter. This creative endeavor requires not just linguistic skill but also emotional depth, creativity, and an understanding of complex literary techniques. If we were to replace the human poet with a machine capable of crafting a comparable poem, does the achievement of this task by the machine signify intelligence? This juxtaposition of tasks, from the mundane to the highly complex, raises a pivotal question: Is the distinction we draw between these tasks in terms of intelligence merely a matter of their complexity, or is there a deeper criterion at play in our perception of what constitutes ‘intelligent’ action?

As we turn our gaze to the present capabilities of AI, we find a landscape teeming with advancements that once bordered on the realms of science fiction. Today’s AI systems can diagnose diseases, translate languages in real-time, create stunning artwork, and even write articles like this one. The complexity and sophistication of these tasks are escalating rapidly, pushing the boundaries of what we thought machines could achieve. Does the ability of AI to perform these complex tasks equate to intelligence? Or are these systems still operating within the realm of advanced algorithms and data processing, lacking the essence of true cognitive understanding?

The concept of Artificial General Intelligence (AGI) takes this discussion a step further. AGI refers to a machine’s ability to understand, learn, and apply its intelligence to a wide range of problems, much like a human brain. Unlike specialized AI designed for specific tasks, AGI embodies the flexibility and adaptability of human intellect. The pursuit of AGI raises profound questions: If a machine can mimic the broad cognitive abilities of a human, does it then possess ‘intelligence’ in the true sense? And how do we reconcile this with our earlier distinctions between simple automation and genuine intelligence?

As AI continues to evolve and blur the lines between programmed efficiency and cognitive ability, we find ourselves grappling with the very nature of intelligence. From the simplicity of a conveyor belt to the complex potential of AGI, our understanding of intelligence is continually being challenged and redefined. This article does not seek to provide definitive answers but rather to provoke reflection on what it means to be intelligent, both in humans and machines.

As we witness the rapid advancement of AI technologies, the question remains open for interpretation and contemplation: What truly defines intelligence, and how close are we to witnessing its embodiment in the machines of tomorrow?

SCORES & OUTDOORS: The 12 days of Christmas

Roland D. Halleeby Roland D. Hallee

Christmas is over for another year! But not the 12 Days of Christmas.

One of the myriad of Christmas songs we have been hearing on radio is the 12 Days of Christmas. Did you ever wonder about the partridge in a pear tree? What was he doing in a tree in the dead of winter? Well, a closer look also indicates that six of the 12 symbols in the song refer to birds.

Everyone knows the 12 Days of Christmas song. Few of us know the meaning of the gifts delineated in the somewhat monotonous carol or, in fact, the significance of the 12 days to the story of Jesus’ birth. When I started poking around, I found some deep historical secrets and also an ongoing mix-up that blows the lid off the usual imagery of baby Jesus in the manger.

Let’s start with the facts. According to Dr. Paul Spilsbury, academic dean and professor of the New Testament at Regent College on the UBC campus, “basically, the church calendar is divided into seasons, and Christmas, in the church calendar, is a season rather than a day,” he says. “Christmas lasts for 12 days.”

The 12 days of Christmas go from December 25 until January 5. Traditionally, including in my mother’s house, the Christmas tree had to come down on or before January 5, because that was the end of the Christmas season and the beginning of Epiphany.

Usually we think of the first Christmas as the moment the world (in the Christian narrative) realized the savior had arrived. Not so. That was 12 days later. Epiphany is the feast associated with the Magi – the Three Wise Men – coming to Jesus, presenting their gifts. It also commemorates the presentation of Jesus in the Temple.

“Epiphany is like the coming out of Jesus,” says Spilsbury. “The manifestation of Jesus to the world.” And here is where much of what you think you know about the manger scene may not be correct.

“There are two stories in the Gospels about the birth of Jesus,” he explains, one in the Gospel of Matthew and one in the Gospel of Luke. “And the two stories are not exactly the same.”

In one gospel, the Magi visit Jesus in a house, not in a manger. In the other, the arrival of Jesus in the manger is met with angels and shepherds, but no wise men.

“Christian tradition has always kind of woven the two stories together and said the one happened first and the other one second or something like that,” says Spilsbury. “In your typical pageant or Christmas card, you often have a scene in which there are wise men in the stable, but if you look at the original stories in the gospel, those are two separate scenes. We’ve kind of mixed them all together… they get kind of coalesced, fused together.”

Mary and Joseph had advance warning that her son was the manifestation of God made flesh. The world, however, became aware of this only on Epiphany — 12 days after Jesus was born. The Three Wise Men represent the awareness of Jesus as the son of God spreading to the larger world.

“It’s when the wise men come with their gifts and that, in a sense, is the revealing to the world,” Spilsbury says. “That’s what epiphany is about, revealing to the world the holiness of this baby… the Magi were from another country, they were not Jews, so it was the making known of the Christ child to the world, as it were.”

So that’s what the 12 days of Christmas are all about. Now what about that song?

Between 1558 and 1829, Roman Catholics in England were forbidden from openly practicing their religion. In order to introduce the catechism in their children, Catholics created the song as, basically, a series of mnemonic devices to give kids the broad outline of the Roman Catholic worldview and teachings.

Both “my true love” and the partridge in a pear tree represent Jesus — the partridge because it’s a bird that will sacrifice its life to save its children.

So, the remaining symbols inclulde birds: Two turtle doves represent the Old and New Testaments. The three French hens are faith, hope and love. Four calling birds are the Gospels of Matthew, Mark, Luke and John. The five gold rings are the Pentateuch, the first five books of the Old Testament and so on, through six days of creation (geese a-laying), seven gifts of the holy spirit (swans a-swimming), eight beatitudes (maids a-milking), nine fruits of the holy spirit (ladies dancing), the 10 commandments (lords a-leaping), 11 faithful apostles (pipers piping) and 12 points of belief in the Apostle’s Creed (drummers drumming).

If one understood the song’s underlying meaning, it provided a pretty good beginning upon which to delve into a wider exploration about religious teachings. And it could be sung publicly leaving the Protestant establishment none the wiser.

What the ground dwelling grey partridge was doing up in a pear tree has spawned a number of theories; some believe the words were originally a catechism song for 16th century Catholics unable to practice their faith publicly and the bird in the tree represented Christ on the cross.

Now we know why the partridge is in the pear tree.

Roland’s trivia question of the week:

Which team has the Boston Celtics met the most times in the NBA finals?

Answer
Los Angeles Lakers (a record 12 times).

SMALL SPACE GARDENING: Recycle your Christmas tree into the landscape

by Melinda Myers

Don’t drag that Christmas tree to the curb to be hauled away by the trash collectors. Give it a second, even third life, in your landscape. No live Christmas tree? Don’t worry. I’m sure your friends and neighbors will share theirs.

Move your locally grown Christmas tree outdoors after the holidays. Avoid trees imported from other states that may host invasive insects that can infest your landscape and nearby Christmas tree farms. Your local municipality or Department of Natural Resources has more information on any threats and disposal recommendations for your area.

Use your cut Christmas tree to protect evergreens in your landscape from winter winds and sun. They make excellent windbreaks while shading sensitive plants in your landscape. Strategically place your discarded tree on the windward side of rhododendron, boxwood, and other broadleaf evergreens to reduce problems with winter burn. Place it on the south side of these plants to shade them from the drying winter sun.

Or remove the branches and use them as winter mulch over bulbs and perennials. Layer the boughs over the plants and soil to keep the soil consistently cold. This reduces the risk of early sprouting and winter damage that can occur during winter thaws.

Or set the tree in the landscape for a bit of added greenery. Secure it in a snow pile or use stakes and guy wires in milder climates where the soil is not frozen. The birds will enjoy the added shelter and you will enjoy watching these visitors to your landscape.

Then consider adding a bit of food for your feathered visitors. Decorate the trees with fruits, berries, and seeds the birds can enjoy. Stringing cranberries and popcorn is a fun family activity and makes an attractive outdoor garland. Slices of oranges on colorful yarn and homemade bird ornaments can complete the adornments.

Sweep up the fallen needles that were under your tree indoors and use them as mulch in the garden. Place them directly on the soil or atop the snow. As the snow melts, the needles will be right where they belong. And don’t worry, they will not make the soil too acidic. In fact, as they break down, they add organic matter to the soil.

As spring arrives, consider chipping and shredding your tree into mulch for trees and shrubs or pathways in the landscape. No chipper? You and your neighbors may want to rent a chipper to shred these and other prunings for use as mulch in your landscapes.

And, if this is not possible, check for recycling resources in your community. Many municipalities have special pickups for Christmas trees. These are chipped, shredded, and made available for citizens to use in their landscapes.

Lake communities often sink the discarded trees to the bottom of lakes and ponds to provide habitat for the fish. Another great way to give your tree a second life.

And once you discover the value of this free resource you may find yourself collecting a few more from the neighborhood. However, your family may ask that you wait until dark to drag your evergreen treasures back home.

Melinda Myers has written more than 20 gardening books, including the recently released Midwest Gardener’s Handbook, 2nd Edition and Small Space Gardening.

THE BEST VIEW: Christmas memories

by Norma Best Boucher

Christmas time is sometimes the happiest, sometimes the saddest time of the year. People are so wrapped up in the moment that they forget to remember. Often a simple thing like a card, an ornament, or a song will trigger their memories, and for a brief moment the past embellishes the present.

When I was young, my mother always decorated our Christmas tree. I’d sit on the couch and watch the lights sparkle, and she’d ask me where each ornament should go. I could have helped, but somehow watching my mother build Christmas with that tree was too special to interrupt. That was tradition.

Perry Como was tradition, too. While we decorated the tree, we listened to our Season’s Greetings from Perry Como album. As we listened to We Wish You A Merry Christmas, my mother, Perry, and I decorated our Christmas tree.

I have carried on the Christmas tree tradition. I don’t know why – it just happened. It felt comfortable. I decorate the tree, and my son tells me where the ornaments should go. The only difference is Arthur Fiedler. When we decorate our tree, the Boston Pops plays in the background. Perry Como is tucked away…with my memories.

My mother is gone now. It’s been 18 years. I’ve been so busy creating my own traditions that I haven’t had time to remember hers. Perhaps I haven’t dared.

This year when the time came to decorate our Christmas tree, everyone else was busy, so Arthur and I were going to carry on the tradition alone. I dug out the Boston Pops album, dusted it off, and put it on the stereo.

Then, something wonderful happened. Maybe it was an accident, maybe it was my subconscious playing a trick on me, or maybe it was just tradition, but last Christmas I confused the records, and from the sleeve of the Boston Pops album I pulled out Season’s Greetings from Perry Como, and We Wish You A Merry Christmas filled the house.

Alone, I laughed and I cried as all the beautiful memories flooded back. They had waited 18 long years, and they would wait no longer.

This is going to be a beautiful Christmas – one of the best I’ve ever had – full of tradition. I know because I’ve already experienced one of the best parts. My mother, Perry and I decorated our Christmas tree.