REVIEW POTPOURRI: Maria Duenas

by Peter Cates

Maria Duenas

Lalo: Symphonie Espagnole – violinist Maria Duenas with Mihhail Gerts conducting the Estonian National Orchestra, 2019 concert video on YouTube.

Maria Duenas

Spanish violinist Maria Duenas, now 22, has already landed a recording contract with Deutsche Grammophon and won several first prizes at violin competitions around the world since the age of 17. She has cited her favorite violinists, Jascha Heifetz, Yehudi Menuhin and David Oistrakh, as the inspiration for developing her own style expressing concern about too many other violinists sounding too much alike, a sentiment I agree with.

Some time ago, I viewed a YouTube of her performing Max Bruch’s Violin Concerto and found it engaging enough to sit through the entire performance yet not particularly moving.

Still, for some mysterious reason, I got curious enough to view this performance of the Symphonie Espagnole by French composer Edouard Lalo (1823-1892) as this very captivating showpiece has grown on me more and more in recent years. (When Tchaikovsky got access to the manuscript in 1878 and played through it on the piano, he was inspired enough to compose his own Violin Concerto.).

Again and most unfortunately Duenas’s playing of this piece did not leave me wanting more. She phrased the notes and bars nicely enough (She omitted movements three and four of a five movement piece; the jump from the jubilant opening two movements to the jubilant Finale without the contrasting calm lyricism of three and four was jarring) and conveyed endearing stage presence but the overall interpretation didn’t take fire.

A plus here, however, was watching the focused musicians who gave their all, unlike so many players in more well known orchestras who seem to be merely going through the motions in the umpteenth performance of a given piece. The Estonian National Orchestra is another example of the excitement and commitment to be seen among the symphony orchestras now gaining fame in the post Iron Curtain eastern Europe, others being the Radio Orchestras of Bucharest, Ljubljana, Bratislava etc.

As for Miss Duenas, I feel that, because of her expressed commitment to developing her own style, she may remain a violinist worth watching.

My favorite recordings of the Lalo Symphonie Espagnole are the two collaborations of Isaac Stern with Eugene Ormandy and the Philadelphia Orchestra on Columbia Masterworks LPs from 1955 and 1965 and presumably available also on YouTube. Stern is not otherwise among my top five or even ten favorite violinists but he really had this music thoroughly nailed down while Ormandy was always a masterful accompanist in Concertos.

Both of the above LPs also contain eloquent performances of the Bruch Violin Concerto.

Kansas City Confidential

John Payne

A most entertaining 1952 Film Noir classic, imbued with 1950s time warp atmosphere, intelligence, lack of predictability and fascinating character development is Kansas City Confi­dential starring John Payne as the protagonist and Jack Elam and Lee Van Cleef as two armored truck robbers. All three actors did superb work in their roles and conveyed formidable presence.

Casino Dance Orchestra

Casino Dance Orchestra – Wonderful One; Good-Night. Perfect 14117, ten-inch 78, recorded circa 1923-24.

The Casino Dance Orchestra was a pseudonym for several dance orchestras making records during the 1920s. Whoever the musicians on this shellac were, they were very gifted ones.

The two selections – the particularly exquisite Wonderful One composed by the well-known dance band leader Paul Whiteman and his chief arranger Ferde Grofe, most renowned for his own Grand Canyon Suite; and the throwaway yet charming Good-Night on side two – were given performances in which the saxophones, trombones and muted trumpets blended beautifully while the banjo and piano provided pulsating rhythms.

One of the best discs to be heard from the dime store Perfect label.