by Peter Cates

Al Martino

Al Martino (1927-2009) became Capitol records answer to Columbia’s Jerry Vale and RCA’s Sergio Franchi, not to mention the ascendancy during the early ‘30s of Russ Columbo and the ‘40s with Frank Sinatra and Perry Como. I would include here the nowadays very underrated Tony Martin.

Martino scored a major hit in 1953 with Here in my Heart and, when he heard that RCA was planning to get his friend Mario Lanza (1921-1959) to record it, he called the older singer and pleaded with him to hold off, which Lanza did.

Martino also had some connection with the Mafia, which bought out his contract with Capitol and then demanded he give them $75,000 to “protect their investment.”

Martino was initially offered the role of singer Johnny Fontane in The Godfather by producer Albert Ruddy. When Francis Ford Coppola signed on as director, he offered the role to singer Vic Damone.

Martino again sought assistance from the Mob; Damone heard about it and quietly withdrew from the film (He balked at any unwanted attention from the Mob and also decided that he was being paid too little.).

A 1967 LP, Mary in the Morning (Capitol ST 2780), contains not only the title song which was a megahit for Ed Ames the same year but also beautifully recorded by Glen Campbell; and featured covers of ten other songs – Love Me Tender, Love Letters in the Sand, My Love Is Stronger than My Pride, Unchained Melody, Red Is Red, Can’t Take My Eyes Off of You, Release Me, I Dream of You, Now and Making Memories.

He sang with the kind of voice that wasn’t as effusively cloying as Jerry Vale or Jim Nabors and, within its own quieter realm, a very pleasant one – in small doses.

Much of the content can be accessed on Youtube.

Tribute to Jonathan Winters

An immensely fascinating documentary from 2000 and produced by PBS pays tribute to the life of comedian Jonathan Winters (1925-2013) and features interviews with Winters, his wife Eileen, daughter Lucinda and son Jan, singer Andy Williams and – no relation – comedian Robin Williams. It too can be seen on Youtube along with huge numbers of other Winters appearances.

 

 

 

 

 

 

 

by Peter Cates

Memory

Memory is a 2022 film starring Liam Neeson as a very skilled contract killer who is encountering ominous moments of forgetfulness and has an older brother already incapacitated by Alzheimer’s.

He is assigned two hits, one being a corrupt ac­countant and the other an underage teenage girl from Mex­ico. He disposes of the accountant but draws the line at children.

The organization he works for then comes after him.

The story also has local police, FBI agents and investigators from Mexico. The story mainly takes place in El Paso but, interestingly, the scenes in Mexico were filmed in Bulgaria.

Very entertaining.

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Harry Brown

A 2009 film, Harry Brown stars Michael Caine as the title character, a retired military officer living in a South London apartment complex overrun by gangs and drug dealers.

When a friend is brutally murdered by them and the police display little response for “lack of evidence “, he takes matters into his own hands a la Charles Bronson/ Clint East­wood.

The film was poorly paced and bedeviled by prolong­ed scenes of graphic violence, the very few redeeming qualities being the acting of Caine and Emily Mortimer as a detective who’s the only one on the force willing to see justice done.

* * * * * *

Love that Bob

A 1950s comedy show, Love that Bob, ran from 1954 to 1959 and starred Bob Cum­mings as a womanizing photographer who refuses to settle down. Cast members included Rose­mary de Camp as his widowed sister with whom he lives, Duane Hickmann as her son and Ann B. Davis as the photographer’s secretary.

Frequently appearing were Lyle Talbot and King Donovan as friends of Bob, and Nancy Kulp (better known later as Miss Hathaway on the Beverly Hillbillies) as a lovesick plain Jane contributed immensely to what was, for me, the most hilarious comedy show of that decade, not to mention Cummings also portraying the photographer’s obnoxiously flirtatious grandfather.

Episodes from the show abound on Youtube.

by Peter Cates

Charles Munch

Not too long before his death in 1962, Boston Globe music critic Cyrus W. Durgin wrote the fascinating liner notes on the RCA Victor LP recording session for the Schumann Spring Symphony and Manfred Overture featuring Charles Munch(1891-1968) conducting the Boston Symphony.

Mr. Durgin is describing the chaotic details of musicians practicing, of cables and trunks of recording equipment strewn everywhere and of most of the 2,613 seats in Symphony Hall removed prior to this October morning as RCA’s recording team of Richard Mohr, Lewis Layton and audio administrator Al Pulley keep scurrying back and forth between the main floor and upstairs recording booth:

“Ten o’clock precisely. The seeming chaos of tuning stopped abruptly. Charles Munch, score and baton in hand, dressed not in his usual rehearsal jacket but in a beautifully tailored light gray suit, mounted the stand. Over the loudspeaker came the voice of Mr. Mohr. ‘Quiet, please….Stand by. ‘Then the code numbers of the first ‘take. ‘Dead, dead silence. A tiny red light, on a pedestal down at Dr. Munch’s right, winked on.

“From the horns and trumpets burst the first half of the opening theme of Schumann’s B-Flat Symphony. A large, commanding gesture from Munch brought in the whole orchestra in a tutti of richness, power and majesty. The second half of the theme, and so on through the introduction, exposition, free fantasy, recapitulation and coda which constitute the formal structure of the movement. ”

In the last paragraph, Mr. Durgin quotes from a couple of letters Schumann himself wrote on this Symphony:

“I wrote this Symphony towards the end of the winter of 1841, and, if I may say so, in the vernal passion that sways men until they are very old, and surprises them again with each year…”

To a conductor who was preparing the Spring Symphony for performance – “Could you infuse into your orchestra…a sort of longing for the Spring, which I had chiefly in mind when I wrote it?”

I own four copies of this recording – the mono and stereo LPs, a cassette and the CD set of Munch conducting 19th century German repertoire. With respect to the CD transfer which I initially thought superior to the LPs and cassette, I have now changed my mind and am quite thrilled by the stereo LP sound.

Schumann’s Manfred Overture was composed in 1848 and has a grim mood of tragedy pervading it but it is a very exciting piece into which Munch and the Boston Symphony musicians threw themselves with brilliant abandon.

Charles Munch wrote a book on conducting in which he stated that every individual standing in front of 100 or more players should feel “still struck to the heart by fear and panic…a formidable transport of anguish ” before a concert or recording session. Only then is a conductor truly making progress and advancing in understanding.

In rehearsals, Munch was meticulous about going over every note but when the recording session or concert occurred, he could really let loose and no two concerts were exactly alike.

A favorite piece of Munch was the Berlioz Symphonie Fantastique and, when on tour with the Boston Symphony, he conducted it ten times; according to one player, each performance was different and special, as though the piece was being heard for the first time.

Charles Munch replaced Serge Koussevitzky (1874-1951) as music director of the Boston Symphony in 1949 and was replaced by Erich Leinsdorf (1912-1993) in 1962. But he continued to guest conduct and record in the United States and Europe.

In 1967, France created the Orchestre de Paris and appointed Munch as music director. A year later, he was touring with that orchestra in this country, led a November 6 concert in Richmond, Virginia, and later that evening died of a heart attack at his hotel room. He was 77.

by Peter Cates

James K. Polk

A Jacksonian Democrat, the 11th President James Knox Polk (1795-1849) promised to be a one-term leader and to do what needed to be done in that self-allotted time span. His style was secretive, in working quietly behind the scenes.

But he accomplished what he set out to do.

Among his achievements was the westward expansion of the United States into California and Oregon at the cost of a war with Mexico and some diplomatic hostilities with Great Britain over the expansion of Canada below British Columbia.

President Polk also put into effect the Walker Tariff of 1846 which greatly reduced the taxes on foreign goods which the Whig Tariff of 1842 had implemented, much to the anger of northern industrialists, who didn’t believe in the free market as Polk and his fellow Democrats did.

Finally, although Polk was a slave owner, he avoided the topic as much as possible in his speeches and policy decisions, much to the annoyance of certain southerners.

In the end, by holding to a mostly secretive below-the-radar management style, he managed to antagonize the radical Whigs and radical Democrats, both accusing him of mendacity in his secrecy.

First Lady Sarah Childress Polk (1803-1891) was born into a very wealthy family in Murfreesboro, Tennessee, and sent away to the Moravian Institute, in Salem, North Carolina, then considered one of the finest private schools in the country.

The couple got married on New Year’s Day in 1824 and she was the totally supportive help mate whose advice her husband sought more often than from fellow politicians.

However, like a number of other First Ladies, she avoided political discussions like the plague at social gatherings. And, as a result, she got on well with visitors who were among themselves the bitterest enemies.

In her ever-fascinating, at times gossipy book, America’s First Ladies, Christine Sadler writes very captivatingly of Mrs. Polk, skillfully pinpointing how this presidential couple was truly joined at the hip:

“Rugged old Sam Houston once said in exasperation, and perhaps after he had imbibed a dram too much that the only fault with James Knox Polk, the president who literally worked himself to death, was that he was ‘addicted to the drinking of plain water. ‘ Some felt much the same way about Polk’s handsome wife, Sarah. Her disciplined goodness was apt to bore and then to irritate lesser mortals.

“She was vivid to look at-a real Spanish-beauty type with the air of a high-born Donna, and her dresses were of magnificent fabrics in gorgeous colors – but in personality she was determined to be colorless. She was gracious, democratic, affable, and pulled no conversational bloopers. She was well-educated and some have said that in some respects she was a better politician than her husband, but ladies of her day did not discuss politics – not if they were real ladies. Sarah Polk, with her belief in the non-controversial, would not have discussed it anyway. Her conversation, at which she was considered quite good, ran to exclamatory sentences such as, “Sir, I’ve never known it otherwise!’ and to little come-ons as, “How so, Sir?”

Sarah’s firmly Biblical Presbyterianism meant no booze, cards and dancing at the Polk White House and, to avoid further unnecessary expenses, no refreshments at all.
After one particular reception, the hungry and thirsty guests were able to adjourn to the home of a newly-found family friend Dolly Madison, who satisfied their appetites.

By the time the Polks left the White House in March 1849, his workaholic habits had destroyed his health. He died three months later at the age of 54; Sarah outlived him by 42 years and died in 1891 at 88.

by Peter Cates

John Tyler

The 10th former President John Tyler (1790-1862) did forge important treaties with Great Britain and China and brought about the admission of Texas as a state. But he had a stubborn streak in his independence and refusal to compromise on his own principles, which quickly led to the resignations of every member of his cabinet, except for Secretary of State Daniel Webster.

The easy going William Henry Harrison had reluctantly accepted Tyler as a running mate , the vice-president had thought that he could spend most of his time on his Virginia plantation while showing up a few months a year to preside over the Senate and both gentlemen could stay out of each other’s hair. Fate intervened with Harrison dying of pneumonia one month after taking office.

Congress was so alienated by Tyler’s incorrigible personality that they fought him on just about every piece of domestic legislation, even refusing to allocate funds for much-needed renovations in the White House.

Tyler was married twice. His first wife Letitia Christian Tyler (1790-1842) bore him eight children and, three years before her husband assumed the presidency, had suffered a stroke and was confined to a wheelchair.

Her daughter-in-law Priscilla described her as follows:

“She must have been very beautiful in her youth, for she is beautiful now in her declining years and wretched health. Her skin is as smooth and soft as a baby’s; she has sweet, loving black eyes, and her features are delicately moulded; besides this, her feet and hands are perfect; and she is gentle and graceful in her movements, with a most peculiar air of native refinement about everything she says and does. She is the most entirely unselfish person you can imagine…”

Letitia died on September 10, 1842. Daughter-in-law Priscilla assumed White House hostess duties for most of Tyler’s term and the parties were a smashing success, the guest lists guided by a very generous open door policy that included Tyler’s political enemies.

One such occasion proved to be a personal embarrassment for the hostess when Secretary of State Daniel Webster was in attendance, as described in a letter to her sisters:

“…at the moment the ices were being put on the table, everybody in good humor, and all going ‘merry as a marriage bell,’ what should I do but grow deathly pale, and, for the first time in my life, fall back in a fainting fit! Mr. Web­ster… pick­ed me up…and Mr. Tyler (Priscilla’s husband Robert), with his usual impetuosity, deluged us both with ice-water, ruining my lovely new dress, and, I am afraid, producing a decided coolness between himself and the Secretary of State….”

A frequent guest, former First Lady Dolley Madison, happily made herself available at Priscilla’s request for consultation on details.

On February 28,1844, President Tyler and approximately 350 guests were upon the propeller-driven steam frigate Princeton for a cruise up the Potomac where a specially mounted gun, the Peacemaker, had been fired for demonstration purposes during these festivities. One final shot had been requested, the weapon exploded and eight men were killed .

Among those casualties were Daniel Webster’s replacement as Secretary of State Abel P. Upchurch (after three years of loyalty to Tyler, Webster resigned because of the controversy around the annexation of Texas which then allowed slavery, an issue on which he and President Tyler disagreed. However, both men had a high regard for each other, despite their differences on this issue and others); Secretary of the Navy Thomas W. Gilmer; and Tyler’s good friend David Gardiner, whose 24-year-old daughter Julia was engaged to the president .

The president was below deck with Julia when the explosion occurred, who fainted in his arms when the tragedy occurred.

They were married the following June, the gaiety of White House social occasions was sustained during the remainder of Tyler’s administration and, for Julia, her husband could do no wrong.

She gave her husband seven more children and, when James Knox Polk became the chief executive, the couple retired to Sherwood Forest, a spacious plantation Tyler purchased for his wife that was located on the James River, in Virginia, and equipped with all the creature comforts then existing.

The magnificent parties continued with winter balls, infinite numbers of teas and lavish dinners.

In 1861, Tyler attended a Peace Conference in D.C. in a futile attempt to allay North/South tensions; he then returned to Virginia, sided with the Confederacy, was elected to the Confederate Congress and was ready to serve when he died in January 1862; his death was unnoticed in Washington and he remains the only former president not laid to rest under an American flag.

His widow outlived him by 27 years and died, at age 69, in 1889.

Tyler is also the earliest former president to have a grandchild still living, a 94-year-old gentleman unfortunately suffering from dementia and in an assisted living institution, also in Virginia.