REVIEW POTPOURRI

by Peter Cates

Rick James

Give It to Me, Baby
Don’t Give Up On Love
Gordy, G 7197F, released 1981, seven-inch 45.

Rick James (1948-2004) hooked up with a group known as the Mynah Birds during his adolescence, one of his fellow members being Neil Young. His music career would thrive but also derail often because of his own self-destructive tendencies to live on the edge – his Wiki bio was sordidly interesting. His almost inevitably early death at 56 was due to a heart ailment.

The above two songs, particularly his hit song, Give It to Me, Baby, are more rockish than Motown/Gordy soul and are captivating on a certain level.

Yarbrough and Peoples

Don’t Stop the Music
You’re My Song
Mercury, 45-76085, recorded 1980, seven- inch vinyl stereo 45 record.

Cavin Leon Yarbrough and Alisa Delois Peoples were both born and brought up in Dallas and, were friends since early in childhood, having met while taking piano lessons.

During the mid-’70s, Yarbrough is touring as a pianist, returns to Dallas where he hooks up with Peoples, returns to touring and they sign a recording contract, hitting the big time in a very big way. Don’t Stop the Music is a compelling soul and dance record, incisively arranged and recorded.

In 1987, after 10 years of success with several more 45 singles and albums, they get married and decide to leave the rat race of Los Angeles and constant touring to return to Dallas. Since then, they continue to write, produce, mentor younger talent and perform, contributing immeasurably to their hometown’s musical enrichment.

Mozart

Sinfonia Concertante

Eine Kleine Nachtmusik; Viktor Pikaizen, violin; Igor Oistrakh, viola, and conducting the Moscow State Philharmonic; Westminster Gold EGS-8343, LP, recorded June, 1971.

Two of Mozart’s most important works are coupled on this LP and feature very lively, vibrant performances from two of Russia’s finest string players, Viktor Pikaizen and Igor Oistrakh, son of the late great violinist, violist and conductor, David Oistrakh, Igor being as good in his own way as his father in all three instruments.

The two sides of both 45s and the Mozart Sinfonia that are reviewed above are available for listening on YouTube. The Eine Kleine Nachtmusik conducted by Igor Oistrakh is not available but one recorded by his father David Oistrakh is posted along with several other recordings.

REVIEW POTPOURRI

by Peter Cates

Teresa Stich-Randall

Preiser 93458, CD, recorded July 31st, 1956.

Born and raised in Connecticut, Teresa Stich-Randall (1927-2007) had a major career of over 30 years, starting in the U.S. but mainly centered in Europe, as a soprano performing opera, and other forms of vocal classical music. To me, her fame is well deserved, she being one of a handful of sopranos who provide genuine pleasure through their recordings – because she avoids the cloying vibrato that turns, not only sopranos, but mezzos, altos, tenors, baritones and basses into very painful listening ordeals. She conveys the beauty in what she sings, rather than indulging in being a histrionic nimcompoop in how she sings!

The above CD is a collection of lieder, or classical songs by Mozart, Schubert, Schumann, Brahms, Richard Strauss and Debussy, 21 in all and each one a gem. She collaborates with the exceptionally phenomenal conductor, Hans Rosbaud (1895-1962), who swaps his conducting baton for the piano, performs with once-in-a-lifetime musicianship, sensitivity and beauty and leaves me wondering why he didn’t play the keyboard much more often. I posted Brahms’s Mondnacht on my Facebook page from YouTube, which should still have it !

A couple of little tidbits – Stich-Randall was a holy terror about exact punctuality for her voice lessons while Rosbaud mastered five instruments and relaxed by reading ancient and modern classics, in the original language.

Fats Waller

1935; Classics 746, CD.

The phenomenal Fats Waller (1904-1943) was a masterful composer, orchestra leader, classical and jazz organist, pianist and one very entertaining singer. The 22 shellacs on this CD are all first class, with not a single dud among them, and remastered skillfully.

Evan Eisenberg

The Recording Angel
Penguin, 1987, 256 pages.

I had high hopes for this book when I forked over four bucks for it some months back. Superficial dipping into it led me to a story about Clarence, who collects records while living just barely on $270 a month and they consume his house with only minimal living space.

Such stories are few. Eisenberg devotes most of the book discussing how records have changed the way we listen to, and relate to, music. But he uses endless quotes from, and paraphrasing of Plato, Aristotle, Schopenhauer, etc., to discuss the endless byways of music for several centuries in an overblown manner that makes this book tiresome most of the time as a reading experience.

But it got glowing reviews from many critics.

REVIEW POTPOURRI

by Peter Cates

Roy Brown

Roy Brown and New Orleans R & B; JSP Records JSP7756, four CDs, Recordings from mid-’40s to early ‘50s.

Three New Orleans musical legends are given major representation in the above collection. They are Roy Brown (1920 or ’25-1981), Dave Bartholomew (1918-), and Professor Longhair (1918-1980), each of whom contributed songs, vocals and instrumentals, and troubleshooting mentoring to the rich soil of rock, rhythm and blues, pop soul, and other elements still influencing a specifically American music and the more famous men and women of splendid talent who have shared it through concerts and recordings.

Singer Roy Brown wrote one song, Good Rockin’ Tonight, that didn’t take fire in his 1947, 78 rpm, but did well for Elvis Presley, Jerry Lee Lewis, James Brown, Springsteen, etc.

Dave Bartholomew, the only one of the three still living at 98, was a producer for Imperial records, where he wrote Fats Domino’s megahit, Ain’t That A Shame, but left in a huff after falling out with the owner.

Pianist and singer Longhair wrote many songs for others and would be remembered for them, but more for his uniquely funky performances.

Two CDs contain 50 sides of Brown; one CD allotted to 25 Bartholomews and one to 26 Longhairs.

Billy Joel

River of Dreams; Columbia CK 53003, CD, recorded 1993.

This album was put together during a period of upheaval for Joel – including dealing with an embezzling manager/brother-in-law. It would also be the last studio recording of original material.

I have never been an avid Joel fan but I respect his gifts as a singer/songwriter/musician. Finally, I am deeply moved by three of the songs here – the title one, Lullabye and 2000 Years, each a genuine beauty.

Tchaikovsky

Piano Concerto No. 1

Valentina Kamenikova, pianist, with Jiri Pinkas conducting the Brno Philharmonic; Supraphon 1 10 1043, twelve inch stereo LP, recorded 1970.

Those who have read me in these pages since I began nine years ago, especially with any interest in classical music, know by now of my sometimes voracious interest in collecting different recordings of the same piece and the Tchaikovsky 1st Piano Concerto being one of my favorite collectibles. I have even lost track of just how many I own.

Valentina Kamenikova (1930-1989) was born in the Ukraine, but ended up spending most of her life teaching in the former Czechoslovakia and concertizing behind the Iron Curtain. Although she was barely known in the West, she had a large following in Eastern Europe. One facebook friend, who is also a pianist and lives in Prague, has texted about Kamenikova with admiration.

Her playing was more self-contained than that of more famous virtuosos, such as Horowitz, Emil Gilels, Rubinstein and Shura Cherkassky, each of whom applied the grand, sometimes barnstorming approach, but it was quite elegant and connected in a most personal manner with each note (I admit to loving this piece so much that I have found every recording that is on my shelf at least containing some interesting quality, even if it’s just a few minutes.).

Unfortunately, it has been out of print for several years and may be hard to find but copies do show up on Amazon and Ebay and in more unexpected places. I found mine at a Maine barn sale.

REVIEW POTPOURRI

by Peter Cates

Rider of the Law

starring Bob Steele, etc.; directed by Robert N. Bradbury, 59 minutes, released 1935.

Actor Bob Steele (1907-1988) was very well known for the B westerns of the ‘30s and ‘40s, in which he portrayed, more often than not, the hero. Rider of the Law features an Arizona town under siege by a gang of outlaws and, of course, lacking any law enforcement with real spine. A stage arrives with a, to put it politely, wimpy Easterner, who has no clue how to mount a horse, let alone fend for himself. In due time, the newcomer reveals himself, however, to be skilled with both gun, fists and horsemanship, and as the appointed marshal of the town, going undercover to learn the lay of the land. Bob Steele’s characterization of the marshal conveys above-average talent, especially the comic antics he engages in while undercover. Finally, the director of the film, Robert N. Bradbury (1886-1949), was Steele’s father.

All in all, a very compelling film !

Wagner

Tristan and Isolde, Prelude and Liestod; Tannhauser, Overture and Venusberg Music; Counterpoint/Esoteric 5614, stereo vinyl LP, recorded late ‘50s to early ‘60′.

Yet another, very talented conductor from below the radar, Rudolf Albert (1918-1992), showed a gift for alive, exciting recordings of classical works that had been played in concerts and recorded too often; this Wagner program is no exception, definitely worth seeking by interested collectors. I own several of his records and testify to his very high level of work, even more so than some of the so-called “world’s greatest conductors, ” their advantage being better press agents!

Wilson Pickett

The Exciting Wilson Pickett
Atlantic SD 8129, 12-inch vinyl stereo LP, recorded 1966.

The late Wilson Pickett (1941-2006) was not only a hugely successful rhythm and blues singer/songwriter, selling millions of records, but also a gifted one, whose feisty, invigorating delivery, timing and musicianship made so many of his singles and albums, including the above posted one, worth hearing and owning as part of any well-rounded recording collection. Two special favorites are In the Midnight Hour and It’s All Over, both written with Steve Cropper. Finally, the vocal and instrumental support, which included Booker T. and the MGs, was galvanizing.

Pickett died of a heart attack at 64 and Little Richard delivered a eulogy.

REVIEW POTPOURRI

by Peter Cates

Crumb

documentary film produced and directed by Terry Zwigoff, Sony Films 1994, 120 minutes.

Terry Zwigoff initially ran into fierce resistance from his otherwise very good friend Robert Crumb, when he proposed the idea of this film. In reply, Zwigoff threatened to commit suicide, thus convincing the artist of the documentary’s viability. During the nine years of production, Zwigoff was living on $200 a month and suffering from pulverizing back pain.

Crumb, of course, has been well known since the ‘60s as an underground comic book artist with his own uniquely dark, yet often quite funny vision. He satirizes much of contemporary culture; his own difficult childhood and dysfunctional family; and certain icons of movies and TV. His obsession with the varieties of sexuality have brought both fame and notoriety . No further details needed in a family newspaper .

Throughout the documentary, Crumb’s two brothers, the older Charles and younger Max, are often featured, both of them showing formidable sketching talent. In fact, Zwigoff insisted on the title, Crumb, as a tribute to all three brothers.

Unfortunately, Charles committed suicide two months after the film was completed but Max stopped his pan-handling.

Among other subjects that obsess Crumb is the rural nostalgic American past. This animates his record collecting of old 78s from before about 1935; he owns approximately 6,000 disks of old jazz, blues, hillbilly, gospel, etc. Audio and video offerings on youtube abound that showcase this passion.
A very interesting documentary on an important figure in American art !

Beethoven

Symphony No. 6, Pastoral
Weber/Berlioz Invitation to the Dance- Franz Konwitschny conducting the Leipzig Gewandhaus; Weitblick SSS0016-2, CD, released 2001 and consisting of broadcasts from December 10, 1961 (Weber), and October 30, 1958.

Franz Konwitschny (1901-1962) was one of the great conductors from a past that included such titans as Arturo Toscanini, Fritz Reiner, Otto Klemperer and George Szell, each of whom commanded an infrastructure of fans, critics, the media and record labels, that often blocked out more modest figures of equal talent, such as FK.

This pair of well-known classical masterworks are given performances that engage, captivate and inspire any listener with an open mind and heart. They will also appeal to the possibly jaded, experienced types of listeners/collectors who think there is little left to discover after hearing both pieces ad nauseam numbers of times via concerts and recordings but they couldn’t be more wrong. Konwitschny conveyed a newly minted freshness, almost as if he were discovering them for the first time. His phrasing, tempos, high-lighted details, drawing of sheer sound, etc., add up to a first class CD.

He was also quite the character. He loved the proverbial bottle and was nicknamed Konwhiskey. Once he consumed six bottles of champagne before conducting a highly-successful performance of Richard Wagner’s five-hour opera, Tristan and Isolde.

He would wave to family and friends with a handkerchief right in the middle of conducting a concert. He hated rehearsals but quickly got the orchestra back on track if playing became sloppy.

When he died on July 28, 1962, just short of his 61st birthday, of a heart attack, while on tour with the Leipzig, in Belgrade, Yugoslavia, he was given a grand state funeral from the East German government, with massive crowds, ten deep, lining five miles of streets. However, because he was a devout, practicing Catholic, his request for a funeral Mass in his will was honored, much to the chagrin of the Communist leadership.

The Weitblick CDs originated from Japan, are mostly deleted, and tend to be prohibitively expensive on various websites (with a few exceptions). However, the mail order Berkshire Record Outlet has kept a number of Weitblicks, including this week’s post, available for very reasonable prices. For those whose interest in acquiring more Konwitschny recordings is increased after buying and hearing the above Pastoral, they will find not only Weitblicks, but also offerings from such other labels as Memories, Regis, Scribendum, Berlin Classics, etc.

Carl T. Fischer

Reflections of an Indian Boy
Paul Weston conducting his Orchestra; Columbia, CL 788, mono LP, recorded 1954.

Carl T. Fischer worked for 15 years on this very exciting tone poem for full orchestra, all but completing it just before his death from cancer at age 42 in 1954. Born to Chero­kee parents who encouraged his budding talent, he wrote this piece out of his own experience, imagination and love of traditional rhythms.

The music is melodic and filled with the romantic sweep of such soundtrack composers as Max Steiner, Miklos Rosza and Bernard Herrmann. Examples of the titles include At the Pool, Maiden’s Prayer, Big Brave Song and Ceremonial War Dance. The LP is out of print but can be heard on YouTube in its entirety. Sometimes a copy of the album shows up at a garage sale or used record store, where I found mine.