by  Peter Cates

Whether in an urban or rural area, very devoted, if not compulsive, record collectors patrol the Goodwills and other such venues looking for that particular record, whether rare or not, that strikes their fancy and often buy just a few more that just happen to have been put out that day. This week, I am doing little summaries of 78s that might tweak some interest, whenever and wherever they might be found:

1. John Charles Thomas – Smiling Eyes; Roses of Picardy, Brunswick 10274, recorded 1924.
   The genial John Charles Thomas (1895-1961) sang with much gusto and sincerity, whether opera or, as on this disk, favorite songs of the day; his records were consistently enjoyable, this one a really choice example. He appeared a few times on Groucho Marx’s TV show, You Bet Your Life, which can be viewed on YouTube.
2. Roy Rogers and the Sons of the Pioneers – Blue Shadows on the Trail; Pecos Bill, RCA Victor 20-2780, recorded December 1, 1947.
   The Sons of the Pioneers blended nicely with their former King of the Cowboys (1911-1998) colleague in these two songs from Walt Disney’s 1947 animated feature, Melody of Love.
3. Eddy Howard – Someone Like You; When the Angelus Is Ringing, Mercury 5254, recorded 5/49.
   A few years ago, I was going to tell my brother, who is a blues fan, with such favorites as B.B. King, Albert King and John Lee Hooker, about my favorite white blues singer, when he interrupted me with “Eddy Howard!” And, yes, I was dumb-founded. But this singer/bandleader (1914-1963) had a gift for turning the above pop novelties into delectable vocal miniatures, unlike any other of his generation, but was tragically taken from us at the horribly young age of 49.
4. Les Brown – Robin Hood; Sleigh Ride in July, Columbia 36763, recorded 11/18/44.
   Whatever Les Brown (1912-2001) may have lacked in imagination or taste, he made up for with solid musical leadership. Robin Hood is a funny swing number with lyrics by Louis Prima while Sleigh Ride in July, a classy Burke/Van Heusen ballad, has some very lovely woodwind/brass sonorities.
5. Julia Lee – A Porter’s Love Song; Since I’ve Been With You, Capitol 40008, recorded 8/9/46.
   A blues singer/pianist from 1927, when she made her first 78, Julia Lee (1902-1958) recorded 78s for the then trail-blazing Capitol Records from 1944 until her hits dried up in 1949. For the rest of her life, she was popular locally in Kansas City until her death from a heart attack. These two songs are feisty crowd pleasers, while her backup, labelled as her Boy Friends, includes Benny Carter, Nappy LaMarre, Vic Dickensen, Red Norvo, Red Nichols, etc.
6. Perry Como – If You Were My Girl; I Cross My Fingers, RCA Victor 20-3846, recorded 1950.
   I have already proclaimed Perry Como (1912-2001) as one of my top five or six favorite male singers. I agree with a local church choir director who felt that Como had a set of pipes during his prime that were unsurpassed in her experience for the sweet, sincere beauty of sound, phrasing, projection and charisma, which I amen whole-heartedly. Unfortunately the two songs were clunkers – they went in and out my ears with no effect, emotional or otherwise. And Como’s long term conductor and arranger, Mitchell Ayres, despite his best efforts, could do nothing to breathe any life into them !!
7. Chuck Foster – Dardanella; Who Put that Dream in Your Eyes, Mercury 5125, recorded 12/47.

Dance bandleader Chuck Foster (1912-2001) experienced several peak years of popularity when his very well-liked group was constantly in demand, mainly during the World War II years through to the early ‘50s, and it recorded a few sides for Mercury from the mid- to late ‘40s.

Meanwhile, singer Tommy Ryan (1921-2007), who had spent most of the war years as one of Sammy Kaye’s leading vocalists, would join Foster and his ensemble at least for the above two sides. The results were pleasant without being particularly moving.
Ryan pretty much ended his showbiz career in the mid-’50s, during which he began pursuing other careers and hobbies with abundant success. However, he remained the entertainer to his family, friends and some fortunate customers and, according to his son, had a beautiful voice up to his eighties, singing at Bar Mitzvahs and other similar social events.

Foster continued leading dance bands until the early ‘80s but his recording career would end after the release of one LP in 1959 for the Phillips International label.

REVIEW POTPOURRI

by  Peter Cates

Human Desire

starring Glen Ford, Gloria Grahame, Broderick Crawford, etc.; directed by Fritz Lang; Columbia Pictures, 1954, 91 minutes.

Human Desire was directed by the German-born Fritz Lang (1890-1976), whose fame in his homeland with a few classics, examples – M and Metro­polis, preceded his highly successful career in the U.S.

This gritty, gripping thriller deals with a romantic triangle that becomes as ugly and deadly as one can get. Broderick Crawford (1911-1986) plays, with formidable authority, a railroad yard supervisor, Carl, who has lost his job. However, his very young, pretty and spoiled wife, Vicki, portrayed with vampish swagger by Gloria Graham (1923-1981), used to be the boss’s secretary and thus is asked by Carl to intervene on his behalf. Carl gets his job back but Vicki sleeps with the boss to seal the deal.

Carl, of course, loses it and kills the man, forcing Vicki to help; unfortunately, a fellow employee, Jeff, (who is rendered with professional presence by Glen Ford, 1916-2006) stumbles into the situation, impulsively becomes attracted to Vicki and exacerbates the perilous nature of this chain of events for everyone.

The footage of early ‘50s trains adds much to the suspense of the film, a tribute to Lang’s imaginative cinematography.

Columbia Pictures was run by, arguably, the nastiest, meanest studio boss, Harry Cohn (1891-1958), in a business where such individuals frequently thrive. When he died, crowds attended his funeral – a possibly apt confirmation of Cohn’s own observation that when one gives the public what it wants, it will turn up.

Bizet

Symphony in C
Roland Douatte conducting the Radio Symphony Orchestra of Luxemborg; Musidisc 30 RC 628, 12-inch disc, release unknown.

I know little of conductor Douatte but do own an LP of him performing Vivaldi’s Four Seasons, it being a very fine performance of a work with at least 100 recordings available.

That philosopher of darkness, Friedrich Nietzsche, called Bizet’s music, especially the opera Carmen, “a return to nature, health, gaiety and youth.” Bizet supposedly had his black moods, but his symphony, which lay unheard until 1935, 60 years after this composer’s death in 1875, is a joyful, positive piece, one very listenable.

This recording is both hard to find and out of print but many other good ones exist and are available for ordering in most music venues.

Nelson Eddy

By Request
with Robert Armbruster conducting; Columbia 2037, ten-inch vinyl LP, released, 1949.

Nelson Eddy (1901-1967) started out as a news reporter in Philadelphia before his love of singing led to training and work on stage and radio and in the movies, all of which led to huge success.

The LP contains his sincere effusive singing, best listened to one track at a time, applied to various old favorites like Danny Boy, Without a Song, I Love You and Because.

REVIEW POTPOURRI

by  Peter Cates

Prokofiev and Bartok

                          3rd Piano Concertos
Boris Krajny, piano, with Jiri Belohlavek conducting the Czech Philharmonic; Stradivari- SCD-6068, CD, released 1989.

Boris Krajny (1945-) is a Czech-born pianist who has performed in this country a few times while still being better known in Eastern Europe; also his list of recordings is quite small and in­clude this long out of print and rarely seen gem from the late ‘80s, which – and I mean this in the truest sense of the word – miraculously appeared one day out of the blue at Waterville’s Bull Moose.

The 3rd Concertos of both Bela Bartok (1881-1945) and Sergei Prokofiev (1891-1953) are two very good introductions to 20th century piano music, along with the 2nd and 3rd Concertos of Sergei Rachmaninoff (1873-1943) .

All four have a most engaging combination of melody, rhythm and deep, sincere emotion that give pleasure on the first hearing, especially with a great performance and very good recorded sound.

The great conductor, Jiri Belohlavek (1946-), and world class Czech Philharmonic rise to the challenge, giving very satisfying performances; Stradivari’s engineers deliver superb sound.

Unfortunately, since the CD is hard to find, I recommend the very reasonably priced classic DG recording of Geza Anda, with Ferenc Fricsay conducting for a two-CD package containing all three Bartok Concertos and a cheap Sony single CD presenting Gary Graffman and the arch- perfectionist, George Szell, in Prokofiev’s 1 and 3.

Lynn Anderson

Flower Of Love
Pickwick SPC-3267, 12-inch stereo vinyl LP, released during the 1970s as a re-issue of singles from the Chart record label.

Flower of Love brought together 10 of Lynn Anderson’s (1947-2015) singles from Chart records, for whom she recorded between 1966 and 1970 before her move to Columbia records. They include such hits as Joe South’s Games People Play, Merle Haggard’s Okie From Muskogee and Tammy Wynette’s Stand by Your Man, all of whom are sung with spirit and personality, the very traits which rightfully endeared her to many listeners during her more than 40 years of performing.

She was also the daughter of the very talented singer/songwriter, Liz Anderson (1927-2011), who had already been signed also to Chart records in 1965, one year before her daughter, with one of her songs being a megahit for Merle Haggard, namely All My Friends Are Gonna Be Strangers.

Unfortunately, daughter Lynn’s private life was a horror show of difficulties with alcohol and the legal system – blatantly cursing her children in court, DWIs, and punching an arresting cop; one can read more details in her wiki bio.

In 2015, Lynn Anderson died of complications brought on by pneumonia and a heart attack.

by  Peter Cates

Elgar

String Quartet
played by Aeolian String Quartet; Violin Sonata, played by violinist Alan Loveday and pianist Leonard Cassini – Dover Publications HCR-ST-7011, 12-inch stereo vinyl LP, recorded early ‘60s.

Sir Edward Elgar (1857-1934) was perhaps best known as the composer of Land of Hope and Glory, a very much sung World War I anthem, itself based on the First Pomp and Circumstance March, whose tune is still heard at graduation ceremonies and band concerts.

Starting in 1917 when the composer was 60 and at the height of his powers, Elgar wrote three works for chamber forces, which he had never attempted before. Two of them are contained on this LP – the Violin Sonata and the String Quartet, both of them having a quiet thoughtful reserve of both dignity and yet an intimacy of feeling, along with a special beauty.

The performances are superlative. Finally, there are 14 copies of the vinyl LP still available from Amazon vendors, starting at $7, along with other more recent recordings on CD.

The Mills Brothers

Great Hits
Dot DLP 25157, stereo vinyl LP, released 1958.

The Mills Brothers, consisting of Dad and two sons, began performing in 1922 and recorded a slew of best selling hits for Decca during the 78 era, later re-recording them for Dot records from the ‘50s into the ‘60s with greater success, not to mention the superior stereo sound; this 1958 LP has some of their classics – Paper Doll, Up a Lazy River, Glow Worm, the sweetly poignant You Always Hurt the One You Love, etc., performed with that utterly unassuming style of theirs that was endearing while concealing the years of careful rehearsing and discipline.

About Glow Worm – its composer, Johnny Mercer, recorded it, but with minimal sales. Within five years, the Mills did their own record and made millions.

Frank Froeba

Jazz Piano and Orchestra
Royale 1826; 10-inch vinyl LP, released 1954.

The jazz pianist and bandleader, Frank Froeba (1907-1981), founded his own group in the 1930s, which employed the likes of Bobby Hackett and Bunny Berrigan, and waxed a number of 78s for the Decca and Columbia labels. This LP contains such familiar tunes as The One I Love Belongs to Somebody Else, A Lover’s Lullaby, My Bonnie Lies Over the Ocean and Where Has My Little Dog Gone?, the first two selections are admittedly incompatible as to style and content with the last two; it also has the aptly titled Bee Boogie, which is a boogieish reworking of Rimsky-Korsakoff’s Flight of the Bumble Bee. The entire program is very professionally and enthusiastically performed and makes for very pleasant listening.

Royale was one of several very cheaply priced labels which proliferated from the late ‘40s into the ‘50s and drew its material from both legitimate and questionable sources, often engaging in flagrant bootlegging. However, my copy of the above LP is in wonderful condition and has good sound. Highly recommended for interested listeners and still available on Ebay at a reasonable price under $15.