REVIEW POTPOURRI: These were our songs
by Peter Cates
These were our songs
These Were Our Songs – The Early ‘30s; Reader’s Digest KRB 187/A2, released 1989.
This cassette contains beautifully done transfers from 28 vintage 78 sides, recorded on the Victor label during the early 1930s of classics from the Great American Songbook.
Its contents –
Maurice Chevalier, Mimi; and Walkin’ My Baby Back Home.
Bing Crosby– Where the Blue of the Night Meets the Gold of the Day; Sweet and Lovely; and I Surrender, Dear.
Fred Astaire, Night and Day.
Paul Whiteman – Willow Weep for Me.
Jeannette MacDonald – One Hour with You; and Beyond the Blue Horizon.
Russ Columbo – All of Me; and I Don’t Know Why.
The Mills Brothers – Tiger Rag.
Cab Calloway – Minnie the Moocher.
Wayne King – Star Dust; and Dream a Little Dream of Me.
Fred Waring – Dancing in the Dark; I Found a Million-Dollar Baby (in a Five and Ten Cent Store); and Little White Lies.
University of Maine’s own Rudy Vallee – Would You Like to Take a Walk?
Ted Black – Love Letters in the Sand.
Harry Richman – On the Sunny Side of the Street.
The High Hatters – Get Happy.
Duke Ellington – Three Little Words.
Leo Reisman – Paradise; Sing Something Simple; Body and Soul; and Happy Days are Here Again.
A majestic lament concluding Side 2, Ben Bernie – It’s a Lonesome Old Town (When You’re Not Around).
Tape 2 is listed on the container, indicating that this was part of a set titled These Were Our Songs, and is the only one I own. Having previously written of the joys still to be found listening to scratchy old 78s, I also own hundreds of such discs including the fragile dusty black label Victors of other selections by several of the artists listed here – Leo Reisman, Duke Ellington, the High Hatters, Fred Waring, Jeannette MacDonald with and without Nelson Eddy (on both the Victor black label and Red Seals) and huge piles of Paul Whiteman.
And each performance here is a gem in the best old-fashioned sense of the word.
Russ Columbo was achieving much success with his films, radio shows and records and was an influence on the singing of Bing Crosby and Perry Como when, during a September, 1934, visit to a friend’s house in Los Angeles, the two men were examining an antique pistol. It accidentally fired a bullet which ricocheted off the wall and hit Columbo in the eye. He was rushed to a nearby hospital where surgeons tried unsuccessfully to remove the bullet and died six hours later. He was only 26.
Astor Piazzolla
Astor Piazzolla – Maria de Buenos Aires; Gidon Kremer with small ensemble of singers and instrumentalists. Teldec 3984-20632-2, recorded 1998, two cds.
Argentine composer Astor Piazzolla (1921-1992) brought the tango rhythms, along with elements of jazz and classical music, into this 1968 operetta of just over 90 minutes and a quite exhilarating listening experience. In addition to a quartet of strings, a percussionist, a flutist and a pianist, the music requires a chorus of about 15 and 3 soloists. Finally the central instrument is the bandoneon, which looks like a concertina, sounds like a combination of pump organ, harmonica and accordion, the results being quite beautiful, and always associated with tango dance music.
A few different performances of the operetta exist on YouTube.
Hans Swarowsky
Mahler 3rd Symphony – Hans Swarowsky conducting the Berlin Radio Symphony, January 21, 1963, broadcast.
Austrian conductor Hans Swarowsky (1899-1975) was more well known as the teacher of conductors Zubin Mehta and Claudio Abbado but did record a large number of composers including Gustav Mahler.
Mahler’s 3rd is the longest of his Nine Symphonies, at just over 85 minutes.
This burnt CD set, courtesy of a friend, has Swarowsky conducting a very spirited performance of its six movements; during his career, Swarowsky was unfairly dismissed as average or worse by critics who ranted that the Maestro should confine himself to the classroom.
I own numerous LPs of Swarowsky conducting Brahms, Bruckner, Mozart, Tchaikovsky, Wagner etc., and found them very enjoyable on their own terms.
A bonus on this set is Swarowsky collaborating in a 1956 Vienna State Opera Orchestra recording with pianist Eduard Mrazek in a very engaging Brahms 2nd Piano Concerto.
Stan Kenton
Stan Kenton – Dynaflow; Tortillas and Beans; Capitol F1535, recorded 1951.
I have always enjoyed Stan Kenton’s records featuring his wild big band arrangements with irregular rhythms and festive brass sonorities. These two sides feature a feisty instrumental Dynaflow and Tortillas and Beans, a tongue in cheek vocal duet by Eddie Gomez and Ray Wetzel, who composed both selections.
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