Covers towns roughly within 50 miles of Augusta.

Up and down the Kennebec Valley: Agriculture – Part 3

Southdown sheep.

by Mary Grow

This subseries began last week to talk about some of the central Kennebec Valley’s agricultural pioneers whom Samuel Boardman named in his chapter on agriculture in Henry Kingsbury’s Kennebec County history.

One was Rev. William Pitt Addison Dillingham, of Sidney, who was previously noticed in an introductory essay on agriculture in the March 18, 2021, issue of The Town Line.

Dillingham (Sept. 4, 1824 – April 22, 1871) was primarily a minister, mostly in the Universalist church. Sidney historian Alice L. Hammond wrote that one of his posts was with the Sidney First Universalist Society, of which his father-in-law, Dodavah or Dodivah Townsend (June 4, 1775 – Dec. 4, 1852; one of Sidney’s early settlers), was among the organizers in June 1840.

Dillingham and his wife, Caroline Price Townsend (born May 25, 1817), owned a farm that Hammond said was called Fairview Farm and was also the home of Caroline’s father.

(The 1879 map of Sidney shows no Dillingham property. There is a D. Townsend house, on the north side of Bartlett Road, closer to Tiffany Road than to Pond Road. The 1856 map shows the same D. Townsend property.)

Hammond wrote that Dillingham brought two sheep breeds, Oxford Downs and Southdowns, to Sidney in 1858.

Oxford Downs sheep.

The Southdown, according to Wikipedia, is the smallest of British sheep breeds “and the basis of the whole Down group of breeds.” Southdowns were first bred in East Sussex, England, around 1800, for both wool and meat.

Boardman said it was Charles Vaughan, of Hallowell, who brought the first Southdowns into Maine, in 1834.

Wikipedia says Oxford Downs were bred in Oxfordshire (hence the name) in the 1830s, by cross-breeding Cotswold rams with Southdown and Hampshire Down ewes. The result is a large sheep with short white wool and “a large, meaty carcass,” making it a breed raised primarily for meat.

C. K. Sawtelle also raised sheep in Sidney, according to Hammond and Boardman.

Boardman called cattle – cows and oxen – “the real basis of successful agriculture.” He again credited Benjamin and Charles Vaughan for importing valuable breeds that got the Kennebec Valley off to a good start.

Soon, however, interest waned, and herds began to deteriorate, Boardman wrote. Among a new generation of farmers who “took up the responsibility of obtaining high priced registered stock from abroad, or improving the best of that which remained” in the 1830s and 1840s, he named Luther and Bradford Sawtelle, of Sidney.

The index to Hammond’s history has almost two pages of Sawtelles, from Abbie Z. to Zypporah, plus a column of Sawtells; and there is a multi-page summary genealogy. Kingsbury explained that an early Pond Road settler named Moses Sawtelle had seven sons and was distantly related to another settler named John Sawtelle: “This accounts for the frequency of the name in Sidney.”

Luther Sawtelle (Aug. 7, 1800 – June 25, 1872) and Bradford Jorel Sawtelle (May 18, 1811 – Nov. 12, 1897) were sons of John and Thankful (Robbins) Sawtelle. When Kingsbury wrote his history in 1892, he said Luther’s oldest son, Ambrose, was living on the family homestead, a farm Luther bought in 1824 called Pleasant Plain Farm, and Bradford (by then in his early 80s) was farming part of it.

Summer Sweet apple.

Hammond listed apples, hay and potatoes as other important products of Sidney farms. Hay, she pointed out, was a common export from much of Maine to cities in Massachusetts while horse-drawn transport prevailed. In 1850 she found that Sidney “produced more than 5,700 tons of hay.”

Apples were the “second largest crop” in Sidney in the first half of the 1800s. Farmers planted apple trees “along stone walls or together in clumps on less desirable land” that wasn’t as good for raising hay. Early varieties included Baldwin, Ben Davis and Stark.

Hammond named Sidney farmer Paul Bailey as an experimental apple breeder, “originating a variety named Bailey’s Golden Sweet.”

An on-line source called Out on a Limb Apples recognizes another Sidney-bred apple: Ichabod Thomas created the Summer Sweet around the year 1800. It’s described as a yellow apple with “a beautiful golden apricot-orange blush” and usually “apricot around the stem area.”

The Summer Sweet is “medium-small,” about two inches in diameter, firm-fleshed, with “a mild sweet flavor, best for fresh eating or sauce. It makes a thick, creamy, tropical-flavored sauce—with hints of banana and pineapple —that takes a while to cook down and may need some added water to keep it from burning to the bottom of the pot.”

Ichabod Thomas

On-line sources say that Ichabod Thomas (March 14, 1758 – Feb. 25, 1845) was born in Marsh­field, Massa­chusetts. He was a Revolu­tionary War veteran, having served almost a year in two different regiments. Moving to Maine, on March 10, 1791, he married Mehitable Crosby (Sept. 16, 1767 – April 26, 1842) in Winslow; she was from Albion.

The couple had seven children between 1791 and 1805. The oldest was born in Vassalboro, before Sidney became a separate town on Jan. 20, 1792.

Thomas was a respected citizen, according to records Hammond found and another on line. She identified him as Sidney’s first town clerk, elected at the first town meeting. An on-line record says he held the office two later years, and was a selectman for five years and town treasurer for two non-successive terms.

He and Mehitable died in Brownville, Maine, and are buried in Brownville Village Cemetery with his mother, Eleanor (Mrs. Joseph) Thomas, who died in June 1823 aged almost 96.

Other Sidney residents were apple growers, on various scales. In 1876, Hammond said, the largest apple orchard in Kennebec County was the Bowman brothers’ on Middle Road, which had 75,000 trees.

Hammond wrote that Sidney’s apple crop became less important after the mid-1800s, “as the original trees grew old and there were few new plantings.”

Sweet corn was “a major crop for a good many years” in Sidney, Hammond said. She credited Isaac Winslow, “of Vassalboro,” with learning how to process food while he was in France “on naval duty” and starting a canning factory “around 1840.”

Sweet corn, Hammond wrote, was well suited to less specialized farms: “It provided a cash crop, utilized the farm manure, produced cattle forage, and used family labor….”

It was in 1850 that the railroad along the east bank of the Kennebec River first reached Waterville, Hammond wrote, expanding markets for up-river farmers. Sidney farmers ferried crops to railheads in Riverside and North Vassalboro while the water was open.

In winter, “they risked their lives, teams, and loads to venture across the ice. Many stories have been told of the close calls they had and of the not-so-fortunate who went through the ice.”

Isaac Winslow and corn canning

An on-line account says a Frenchman, Nicolas Appert, invented canning vegetables as a method of preserving food in 1809, thereby earning a reward offered by the Emperor Napoleon as he sought to feed the French Navy. The process was quickly brought to England and America.

For sweet corn, the process consisted of taking the kernels off the cob; putting them in a glass bottle (originally) or a can; heating them to kill bacteria; and sealing the container. First done by hand, it was soon mechanized.

Isaac Winslow

Another on-line site, a Warren County, Ohio, web page, says: “Isaac Winslow is believed to have been the first to successfully can sugar corn for market. He made his experiments in 1842, and applied for a patent which was not granted until 1863.”

Isaac Winslow is mentioned in Alice Bibber’s 1989 paper titled Nearly All in the Family: Nathan Winslow and His Family Network, published in Vol. 28 of Maine History and available online through the University of Maine’s Digital Commons.

Bibber’s focus was on the extended family that assisted Isaac’s older brother, Nathan Winslow (born in March 1785), a Portland-based inventor and merchant whom she credits with “launching the first corn-canning operation in the United States.”

Canned corn from 1800s.

She added, “Although twentieth-century historians credit Isaac with being the first person to preserve corn in tin cans, at least one contemporary who talked with Nathan Winslow about the business stated that the latter had made the experiments.”

Bibber mentioned Isaac as sailing to Le Havre, France, in 1818, not in the Navy but on a family whaling ship; and taking his ill sister-in-law, Nathan’s wife, to Madeira in 1842, where she died early in 1843.

“Some time earlier,” Bibber wrote, “Isaac Winslow had returned home with information about a French method of preserving food in sealed cans.” Nathan and Isaac decided to try it; Bibber wrote they used as “a base of operations” the family farm, which was apparently in Falmouth.

A factory was set up in 1852. When patents were issued in 1862, Bibber wrote, they were in Isaac Winslow’s name, but “assigned to” Nathan’s nephew, John Winslow Jones.

Bibber mentioned Vassalboro once: after Isaac’s father married Lydia Hacker, from Massachusetts, his wife’s family moved to Brunswick and “made marriage ties with a Vassalboro family.”

There is one more possible connection: the Winslows were Quakers, and Vassalboro and China had relatively large numbers of Quakers. However, your writer found no evidence confirming Alice Hammond’s statement that Isaac Winslow lived in Vassalboro.

Main sources

Hammond, Alice, History of Sidney Maine 1792-1992 (1992).
Kingsbury, Henry D., ed., Illustrated History of Kennebec County Maine 1625-1892 (1892).

KVCOG schedules household hazardous waste pickup dates

The Kennebec Valley Council of Governments, based in Fairfield, plans to host Household Hazardous Waste Collection Days in October in Kennebec and Somerset counties.

Skowhegan, Anson, Bingham, Canaan and Madison will collect from 9 a.m. to noon, Saturday, Oct. 7, at the Skowhegan Transfer Station, 29 Transfer Station Drive. This is open to residents of those towns, who must call their own town office to schedule a time slot (Skowhegan, 207-474-6902; Anson, 207-696-3979; Bingham, 207-672-5519; Canaan, 207-474-8682; Madison, 207-696-3971).

Winslow, Belgrade, Clinton, Fairfield, Oakland and Waterville will collect from 8 a.m. to noon, Saturday, Oct. 21, at Winslow Public Works, 135 Halifax St. Residents must call their municipal office to schedule a slot (Winslow, 207-872-2776; Belgrade, 207-495-2258; Clinton, 207-426-8322; Fairfield, 207- 453-7911; Oakland, 207-465-7357; Waterville, 207-680-4200).

Those who don’t have an appointment slot made with their town will not be able to drop off that day.

Many chemicals commonly used around the home are hazardous, either alone or when combined with other chemicals, and need to be disposed of by professionals trained to handle hazardous materials, according to a KVCOG news release.

Improper disposal of these materials can disrupt the function of sewage treatment plants or private septic systems, contaminate ground water, and harm animals and residents. Items that are difficult to recycle or dispose of — such as electronic waste, batteries, paint, anti-freeze, chemical cleaners, yard chemicals, old fuels, oils and mercury thermostats — many of which can also become harmful if left unmonitored.

The council will have local law enforcement officials on hand in Winslow and Skowhegan to collect and properly dispose of any pharmaceuticals that residents want to bring in.

Local political coalition receives grant submitted

photo credit: United Valley Democrats Facebook page

submitted by Megan Marquis

Representatives from the local United Valley Democratic Committee (formerly China Dems) are diligently working alongside Kennebec County Democratic Committee on the Contest Every Race grant. Kennebec County is one of two counties in Maine, where groups are set to receive a $3,000 grant from Movement Labs via their Contest Every Race project. Contest Every Race (CER) is awarding grants to more than 300 political groups nationwide. This is the first year they have included Maine in the grant winners.

CER focuses on strengthening existing local rural organizations on Democratic electoral efforts. It provides an additional layer of resources, technical support, and training for rural and underserved community organizers. The grant program supports rural Democrats to connect with one another, build more power, and support the mission of not leaving any race uncontested.

Nationwide, nearly 100,000 elections go uncontested every year. These positions include municipality, county, and election officials; school board candidates; judges; attorneys; and law enforcement officials such as sheriffs and deputies.

CER to date has helped 5,563 new candidates. 44 percent of the candidates have won their races. Fifty-eight percent of the new candidates have been women of color.

To show your support, join the United Valley Democratic Committee’s End-of-Summer Celebration on Saturday, September 16, from 2 – 8 p.m., at the 327 Stevens Shore Rd., Palermo, ME.

Up and down the Kennebec Valley: Music in the Kennebec Valley – Part 5

by Mary Grow

Two musical Hallowell families

In the course of reading about the history of music in the central Kennebec Valley, specifically George Thornton Edwards’ 1928 Music and Musicians of Maine, your writer came across two intertwined musical families who lived in Hallowell, before and after Augusta became a separate town in 1897.

Both were from England. Edwards, James W. North (in his 1870 Augusta history) and Henry Kingsbury (in his 1892 Kennebec County history) paid attention to:

  • Benjamin Vaughan, M.D., LL.D. (April 19, 1751 – Dec. 8, 1835), son of Samuel and Sarah (Hallowell) Vaughan;
  • His younger brother, Charles Vaughan (June 30, 1759 – May 15, 1839); and
  • John Merrick (April 27, 1766 – Oct. 22, 1861; or 1862), husband of Benjamin and Charles’ sister Rebecca (1766 – July 1851).

Benjamin Vaughan

Benjamin Vaughan was born in Jamaica, educated in Britain (including Trinity Hall, one of the Cambridge colleges, from which he did not graduate) and earned his medical degree at the University of Edinburgh.

He was interested in science and politics, a combination, Wikipedia says, led to his friendship with Benjamin Franklin. He and his wife, Sarah (Manning) Vaughan (April 29, 1754 – 1834), whom he married in 1781, also knew other leading families in the new United States, including the Washingtons, Adamses and Jays.

Vaughan was a participant in the negotiations to end the American Revolution. In 1786, he was elected a member of the Philadelphia-based American Philosophical Society.

In 1792 Vaughan was elected a member of the British Parliament. But his politics were out of step – he had supported both the American Revolution and the 1789 French Revolution – and he left Britain for France in 1794. He moved on to Switzerland; in 1795 (probably; other sources say 1796 or 1797) to Boston; and a year or two later to the family property in Hallowell – Hallowell because the Vaughan brothers inherited land there from their mother’s family.

Here, according to the on-line Maine An Encyclopedia, Vaughan practiced medicine for the first time, serving the poor and “usually supplying medicines as well as advice without charge.” He helped manage the family land and advised other landowners.

Maine An Encyclopedia says that in Hallowell, “he built houses, mills, stores, a distillery, a brewery, and a printing-office, and established a seaport at Jones’s Eddy, near the mouth of the Kennebec.”

He brought with him a library, the same source says, almost as big as Harvard’s (2,000 books smaller, an on-line source says), and spent much time researching and writing articles on politics and science. Harvard gave him an honorary LL.D in 1807, Bowdoin in 1812.

In addition to Benjamin Vaughan’s many business activities, an on-line source says in 1820, the Maine legislature asked him to design a seal for the new state. He recommended the farmer and the mariner, symbols of work; the moose, for nature; the pine tree, for timber resources; and the north star overhead.

Charles Vaughan came to the family property in Hallowell a few years earlier than Benjamin, according to Edwards and others (but Kingsbury said a few years after Benjamin, whose arrival he put in 1796). One on-line source dates Charles’ arrival 1790, another “around 1791.” Sources call him a merchant instrumental in Hallowell’s economic development.

Benjamin and Sarah Vaughan had at least seven children. Charles and his wife, Frances Western Apworth or Apthorp (1766 – 1818, or Aug. 10, 1836, or May 15, 1839), had three or four children.

John Merrick (who often has “Esquire” after his name) was born in London; Edwards said he was “of Welsh origin.” North said he studied for the ministry, but did not pursue it. At some point he “became a tutor” in Benjamin Vaughan’s family, and when the Vaughans moved to America in the 1790s, he came with them.

In 1797, North wrote, he went back to London, where in April 1798 he married Rebecca Vaughan, bringing her to Hallowell in May. North listed six Merrick children.

North, who had known Merrick at least casually, and Edwards both speak highly of him as a man and a civic leader. North wrote that Merrick “was a gentleman of thorough education, refined tastes, high intellectual and social culture, benevolent, public spirited, kind, courteous, and gentle…just in all his dealings, of excellent judgment and practical good sense, a good citizen highly esteemed and beloved by his neighbors and friends….”

Describing Merrick in his 90s, showing a companion where a recent Kennebec River flood had cut around the Augusta dam, North wrote: “His form…was erect, his step elastic, and his flowing long locks of a snowy whiteness resting upon his shoulders gave him an imposing and venerable appearance.”

Edwards added that Merrick was well-informed about “astronomy, navigation, mathematics, and surveying.”

Among Merrick’s civic roles the two authors listed were trustee of Hallowell Academy (from 1802) and board president in 1829; member of Bowdoin College’s Board of Overseers (1805); Hallowell first selectman “for many years” (North) and overseer of the poor for 10 years; and cashier of the second Hallowell and Augusta Bank from 1812 until it failed in 1821.

In 1810, North wrote, Massachusetts Governor Christopher Gore appointed Merrick a member of an expedition charged with exploring a possible road from the Kennebec to Québec. During the six-week expedition, “he camped out twenty-one nights, seventeen of which it rained.”

Edwards devoted considerable attention to the musical side of the Vaughan and Merrick families. He summarized: “The Vaughans, the acknowledged leaders of all social events in Hallowell, were liberal patrons of the arts, and they and the Merricks were responsible in no small degree for the prestige which Hallowell was destined for nearly a century to enjoy as a musical center, and for the musical advancement of the towns along the Kennebec River.”

Music was important in both families, Edwards continued. Both sets of parents provided for their children the best available “instructors in piano, violin and flute.”

Merrick was one of the tutors in the Benjamin Vaughan family; their French teacher was a violinist. Charles and Frances Vaughan’s son, Charles, born in 1804, became a flutist and cellist; their daughter, Harriet, was a pianist and singer.

(Benjamin and Sarah Vaughan also had a daughter they named Harriet, the first-born of their seven children. Born in 1782, she died in 1798.)

Charles and Frances Vaughan’s daughter Harriet, born April 15, 1802, married children’s book author Jacob Abbott (Nov. 14, 1803 – Oct. 31, 1879) on May 18, 1829. Harriet Vaughan Abbott died Sept. 12, 1843.

Jacob and Harriet had several children. Another on-line source provides a brief biography of their oldest son, one of Charles Vaughan’s grandsons. He was Benjamin Vaughan Abbott, born in Boston June 4, 1830, a Harvard Law School graduate (1852). He is recognized primarily for his many collections and digests of court rulings and other legal records, work with which his brother, Austin Abbott, helped.

Merrick, in addition to tutoring Vaughan children, was a talented musician and leader. Edwards wrote that his musical taste was “exquisite.” He was known as a cellist, singer (Edwards quoted a description of his voice as “a very sweet and highly cultivated tenor”) and music critic. Linda Davenport, in her Divine Song on the Northeast Frontier, included a quotation saying Merrick “could play on any instrument.”

Locally, he led outstanding choirs at Hallowell’s Old South Church (called the best in New England in his time) and the Gardiner church, Edwards said. He also sang in the old South Church choir, as did Jacob Abbott.

When the Handel Society of Maine was formed in Portland in February 1814, Merrick was its first president. Edwards described the group as an ambitious state-wide effort that probably lasted only a few years, holding twice-yearly meetings at Bowdoin College. Its short life he attributed to the many other demands on members’ time, their limited resources and the difficulty of travel in Maine in the early 1800s.

Handel Society of Maine program from 1883.

Edwards listed one more of Merrick’s musical accomplishments: he wrote that when Samuel Tenney published The Hallowell Collection of Sacred Music in 1817 (second edition 1824), Merrick and (future) Chief Justice Prentiss Mellen, from Biddeford, “two of the ablest men in the state,” assisted.

Davenport analyzed the history of The Hallowell Collection in more detail, pointing out that although it is attributed to Samuel Tenney, he is not named “on the title page, in the notice about the copyright deposit, or in the introductory advertisement.”

Merrick and Mellen did endorse the collection, Davenport said, in their capacities as president and vice-president of the Handel Society. She disagreed with the suggestion that the Society published the book.

In Davenport’s opinion, “A more likely possibility is that Merrick and possibly Mellen may have served as musical advisors to the book’s publisher, Ezekiel Goodale, a Hallowell printer who was not known to have been musical.”

Merrick, because of his education and his experience leading choirs, she believed probably guided the choice of mostly-European music and wrote the “theoretical introduction, portions of which are more detailed and erudite” than in other contemporary collections.

Mellen could have contributed from Biddeford. Tenney might have helped, Davenport wrote, and almost certainly used the book when he opened his singing school for sacred music late in 1817.

Main sources

Davenport, Linda, Divine Song on the Northeast Frontier Maine’s Sacred Tunebooks, 1800-1830 (1996).
Edwards, George Thornton, Music and Musicians of Maine (1928).
Kingsbury, Henry D., ed., Illustrated History of Kennebec County Maine 1625-1892 (1892).
North, James W., The History of Augusta (1870).

Historical Association’s best bakers prepare for auction of desserts at annual “Preservation Party”

Linda Pope displays a fabulous cake during the auction of desserts at last year’s Preservation Party for Lincoln County Historical Association. (photo by Bob Bond)

One of the highlights of “Preservation Party,” Lincoln County Historical Association’s (LCHA) annual fundraiser dinner, is the auction of cakes by the delightful veteran auctioneer, Kaja Veilleux, of Thomaston Place Auction Galleries. Each dessert is artfully displayed in a “dance of desserts” by apron-clad volunteers who wind their way through the tables to encourage lively bidding. Winners often share their treasures with other guests during the evening.

But the tasty desserts are only one reason to attend this year’s event. LCHA’s party planners offer a catered three-course Italian dinner, guitar music by David Lawlor and Neil Lamb, and an auction of experiences. Bidders can win one of two vacations in Italy, a theater package, a fishing trip, a cooking class/dinner for six, a photographic portrait, and more. Guests may also purchase raffle tickets for a wide variety of gift cards.

Now is the time to reserve your place at the table. Tickets are available online at www.lincolncountyhistory.org. The date is Sunday, September 10, rain or shine. The place is the Pownalborough Court House in Dresden. The fun begins at 4:00 pm.

Proceeds from Preservation Party support LCHA’s mission to collect, preserve, and interpret the history of Lincoln County, Maine. Key to the work of the organization is the stewardship of three historic buildings: the 1761 Pownalborough Court House, in Dresden, the 1811 Old Jail, in Wiscasset, and the 1754 Chapman-Hall House, in Damariscotta.

Up and down the Kennebec Valley: Music in the Kennebec Valley – Part 4

R. B. Hall Band, in Richmond, circa 1878.

by Mary Grow

R. B. Hall Band & Cecilia Club

Kennebec County historian Henry Kingsbury provided a minor exception to the general lack of interest in music in local histories when he included a section headed “MUSIC” in his history of Waterville and wrote two whole paragraphs.

The first was about “the earliest instrumental or band music” in town, “produced by Abel Wheeler, a music teacher, and his two sons, Erastus O. and Sumner A., with fifes and drums.” The Wheelers provided music at the first Waterville College commencement on Aug. 21, 1822, Kingsbury said.

Rev. Edwin Carey Whittemore, in his Waterville history, added that between commencements and military exercises, a brass band was “a necessity” for Waterville. That first commencement parade, he wrote, was led by the Waterville Artillery and “a band of music,” “and bands have existed here from that time on.”

Kingsbury wrote that “a few years later,” (your writer has been unable to find a precise date), “the first Waterville Band was formed.” Waterville College officials promised its members $100 a year for playing at commencements.

Kingsbury listed the eight original band members, most of whom he said were from the Ten Lots section of western Waterville that later became part of Fairfield, and four of the Waterville Band’s successive directors over “many years.” Except for Stephen Jewett (violist and fifer Stephen Jewett from Augusta? – see the July 27 and Aug. 10 issues of The Town Line), none of those named is mentioned in George Edwards’ Music and Musicians of Maine, nor is the Waterville Band listed.

Three of the Waterville Band’s original members were Reward Sturtevant, Anson Bates and Asa B. Bates (1794-1878). The last-named is the man in whose honor the Asa Bates Memorial Chapel in southwestern Fairfield is named (see the Aug. 5, 2021, issue of The Town Line).

An on-line genealogy identifies Asa Bates as a musician and a veteran of the War of 1812. Isaac Bangs’ chapter in Whittemore lists him as one of the three musicians in William Pullen’s militia company, which was stationed in Augusta in September 1814.

An organization called the Waterville band appears occasionally in later years in Waterville’s history. The July 1-3, 1879, Waterville Classical Institute commencement included a procession “escorted by the Waterville band.”

In William Mathews’ memoir of growing up in Waterville in Whittemore’s history, Mathews wrote that in the period between 1825 and 1850 Waterville had three “fine military companies:” the Light Infantry; an artillery company that kept two brass cannons in the small Temple Street house that was its headquarters; and the militia. He implied that each company had its own band.

Waterville’s best-known musical organizations in the late 1900s and early 2000s were the R. B. Hall Military Band and Hall’s Orchestra. Both were organized and led by Robert Brown (or Browne) Hall, who was born in Bowdoinham on June 30, 1858, and died in Portland on June 8, 1907.

The on-line Maine An Encyclopedia says Hall was an outstanding cornetist – his father was his first teacher – and bandmaster. He composed 62 marches that were published while he was alive, and according to Frances Turgeon Wiggin’s Maine Composers and Their Music, “at least 100” altogether.

John Philip Sousa played a Hall march at the 1900 Paris Exposition, Maine An Encyclopedia says. The United States Navy Band played his Funeral March at President John F. Kennedy’s funeral procession in 1963, according to a 2019 Central Maine Morning Sentinel story.

Hall’s musical abilities were displayed in many municipalities, including Boston, Massachusetts, and Albany, New York, and in Maine Richmond, where as a 19-year-old he directed the Richmond Cornet Band; Bangor (1883-1890); Portland; Augusta; Cherryfield; and Waterville.

He is credited with reviving the Bangor band. In 1884 residents held a week-long celebration during which they showed their appreciation by giving him a “gold Boston Three Star Ne-Plus cornet,” reportedly now owned by the Waterville Historical Society.

Hall began his work in Waterville in 1890, Whittemore said, organizing the “carefully trained” and well-received band and orchestra. In the 1890s, the band not only played at “school and college commencements,” but was hired by the city for summer concerts in Monument Park. Wiggin added that he brought members of the Boston Symphony to join local musicians at Colby commencements.

Wiggin named two local men associated with Hall. Clinton native Herbert C. Hunter (Dec. 18, 1867 – Dec. 11, 1931) was a violinist and cornetist who studied under Hall. Arthur F. Roundy, of Fairfield (Oct. 12, 1881 – ??), music director at Lawrence High School for many years, was a student of Hall’s (according to an on-line source) and played clarinet in the R. B. Hall Band (according to Wiggin).

In 1899, prominent citizens organized a corporation to support the band and orchestra, naming Hall the corporation manager. The corporation paid Hall and band members from collected earnings.

The point, Whittemore wrote, was not to make money, but to support “a band that will be a credit to the city, as Hall’s Military Band and orchestra certainly are.”

Hall was the music director of Waterville’s 1901 centennial celebration. Whittemore’s history says he conducted his orchestra at the Sunday evening, June 22, “religious mass meeting” at City Hall and again at the Monday morning dedication of the new City Hall; conducted his military band at Monday afternoon’s “literary exercise” at Monument Park; and presumably was in charge again as the band led off the first division of Tuesday morning’s parade.

The Bridgton Community Band website says Hall was so lame he habitually used a cane or crutch; he would march carrying his cane. Several sites comment that when playing the cornet, he often played the music an octave higher than it was written.

* * * * * *

The St. Cecilia Society established one of the earliest traditions of musical patronage. St. Cecilia is the patron saint of music. In November 1766, prestigious local gentlemen, in Charleston, South Carolina, created the first private musical society in America.

The Cecilia Club was another late-19th-century Waterville musical group. It is described in Edwards’ history and the description is plagiarized in Whittemore’s, listing officers, conductors and pianists.

(Your writer found on-line references to the St. Cecelia Society, organized in 1766 in Charleston, South Carolina, named after the patron saint of music and described in Wikipedia as “the earliest known private subscription concert organization in North America”; and New York’s Cecilia Chorus, founded in 1906. The latter was a women’s group until 1965; it is now co-ed. A Dec. 16, 2023, concert at Carnegie Hall will include Vaughn-Williams’ Dona Nobis Pacem and the world premiere of a piece by American composer Daron Hagen.

(Edwards described an Augusta Cecilia Club, organized in the early 1880s by Mrs. Pauline Myrick and active into the late 1920s. Little information is available, he wrote, because records have been lost.

(In the Aug. 17 issue of The Town Line, on p. 14, is a notice of Damariscotta’s St. Cecilia Chamber Choir auditions, as the group prepares for its December pre-Christmas concert. Information is available at ceceliachoir.org.)

Waterville’s Cecilia Club was organized Oct. 15, 1896, through the “persistent labors of Mrs. George F. Davies and Mrs. Frank B. Hubbard.” Initially 19 members, there were 80 by October 1897, when they sang in a festival in Bangor, and about that number in 1902.

Whittemore and Edwards wrote that Waterville’s Cecilia Club sang in Maine Music Festivals as well as locally, including during the centennial celebration. Both credited Fairfield members’ contributions.

The last sentence of this section of Whittemore’s history reads: “The Cecelia club holds high place in the esteem of the people [Edwards wrote “held a high place in the esteem of the people of the State] though perhaps it never will attain the popularity possessed by ‘The singing school kept at Col. Hayden’s’ in 1795.”

Your writer found no other reference to this singing school.

Among the several Haydens who were early residents of Winslow and Waterville, Whittemore and other contributors to his history gave the title of Colonel to the senior Charles Hayden. He was identified as an east-side (Winslow rather than Waterville) resident who was a school agent in 1798; moderator of a First Universalist Society meeting Nov. 17, 1831; and member of the building committee for the west-side church that meeting attendees voted to build.

(This 1832 church at the intersection of Elm and Silver streets has been on the National Register of Historic Places since 1978. See the June 24, 2021, issue of The Town Line)

An on-line genealogy lists a Charles Hayden, born in Massachusetts in 1767, who came to Winslow with his parents in (according to Kingsbury) 1789. Charles’ father, Josiah Hayden, was a Revolutionary veteran, active in town affairs into the early 1800s. His mother was Silence Hayward or Howard Hayden; Waterville’s Silence Howard Hayden DAR (Daughters of the American Revolution) chapter was organized Jan. 3, 1898.

Dedication to R.B. Hall

R. B. Hall

According to the Maine An Encyclo­pedia website, on Aug. 14, 1936, Waterville officials held a tribute to R. B. Hall during which a Memorial Band Stand was dedicated; and on May 11, 1981, Governor Joseph Brennan signed a bill making the last Saturday in June R. B. Hall Day.

The bandstand was in what is now Veterans Memorial Park, at the intersection of Park and Elm streets. Your writer was unable to find it.

An on-line program for Waterville’s June 29, 2018, observance of R. B. Hall Day at the Opera House lists performances by town and state bands from 9 a.m. to 6 p.m., including the R. B. Hall Memorial Band and the Hallowell Community Band playing together for half an hour and massed bands for another half-hour.

Governor Janet Mills proclaimed June 24, 2023, as R. B. Hall Day. On-line sites note celebrations in Richmond and Rockland.

Main sources:

Edwards, George Thornton, Music and musicians of Maine: being a history of the progress of music in the territory which has come to be known as the State of Maine, from 1604 to 1928 (1970 reprint).
Kingsbury, Henry D., ed., Illustrated History of Kennebec County Maine 1625-1892 (1892).
Whittemore, Rev. Edwin Carey, Centennial History of Waterville 1802-1902 (1902).
Wiggin, Frances Turgeon, Maine Composers and Their Music, 1959.

Websites, miscellaneous.

EVENTS: Coronation Mass to be presented

A favorite of audiences and performers alike, the Coronation Mass will be performed with professional soloists and an orchestra on Friday, August 18 and Sunday, August 20, at 7:30 p.m., at the Congregational Church, of Boothbay Harbor. For more information, contact Lincoln Arts Festival at 207-633-3913 or lincolnartsfestivalbbh@gmail.com.

The Mass in C Major Coronation Mass, composed in 1779, is one of the most popular of Mozart’s 17 settings of the Latin Mass texts. It most likely premiered on Easter Sunday in 1779 in Salzburg Cathedral. The soloists for this marvelous work will be soprano Mary Sullivan, mezzo-soprano Jenna Guiggey, tenor David Myers-Wakeman, and bass-baritone John David Adams.

As a special treat, David Myers-Wakeman will sing two arrangements of hits from The Platters, including Smoke Gets In Your Eyes and The Great Pretender. Several shorter pieces will also be featured on the program, including arrangements of Blue Skies, In The Still Of The Night, It Don’t Mean A Thing, Mister Sandman, Over the Rainbow, and more.

Tickets are $25 and are available online at lincolnartsfestival.org or at Sherman’s Maine Coast Book Shop in Boothbay Harbor. They may also be purchased at the door starting 30 minutes prior to each performance.

Central Maine Eagles seeks players

The Central Maine Eagles football team that plays out of China at the rec fields, is seeking players. The JV team which host kids from sixth to eighth grades needs more players. Numbers usually increase during the start of school, but the team has its first game coming up in three weeks and they are a few players short. They also offer it for pre K to second grade in flag football, and also has a high school team. The would like to add more teams if we can get players in other age groups. For more information, contact Steven Hamel at stevenhamel1993@gmail.com.

Up and down the Kennebec Valley: Music in the Kennebec Valley – Part 3

Typical 19th century brass band.

by Mary Grow

Band music

Another type of music in the central Kennebec Valley from early days of European settlement was band music. It was often, but especially in later years not inevitably, associated with military organizations; and like other forms of music, got limited attention in most local histories.

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James North, in his Augusta history, sometimes mentioned parade music, presumably provided by a band, as in his description of former president George Washington’s funeral procession in Augusta on Feb. 22, 1800.

North wrote that the procession was headed by a military escort. It included an infantry company, followed by musicians with “drums muffled, instruments in mourning,” followed by an artillery company.

By 1805, North wrote, Augusta had two military companies, and a group of young men persuaded the legislature (still in 1805 the Massachusetts General Court) to authorize a light infantry company.

The Augusta Light Infantry, which appears frequently in North’s history, was organized in the spring of 1806. North listed its officers and its musicians: fifer Stephen Jewett (the same Stephen Jewett who played the bass viol in church beginning in 1802? – see the July 27 issue of The Town Line) and drummer Lorain Judkins.

Some of the women connected with infantry members created and presented a company standard, with the motto “Victory or Death.” North described the Sept. 11, 1806, presentation as followed by a parade and a ball (presumably at least the ball and probably the parade included musicians).

By the time the Light Infantry was part of the local Federalist party’s July 4 parade in 1810, there was definitely a band. North wrote that its members politely stopped playing as the parade passed the house where Judge Nathan Weston was addressing the rival Democratic party celebration.

Another association between music and the military is the lists of men who fought in the War of 1812. Kennebec County historian Henry Kingsbury and many local historians listed soldiers (in 1812 and later wars) by name and rank, including musicians.

Most 1812 companies had either two or three musicians, though Kingsbury listed only one apiece for two of Vassalboro’s companies. The majority are described unspecifically as “musicians,” but Kingsbury mentioned a drum major and a fife major from Augusta.

By July 4, 1832, North again described two separate parades by two political parties, with multiple bands and military units. The National Republicans’ parade included “the Hallowell Artillery and Sidney Rifles, each with a band of music,” and the Hallowell and Augusta band, which he said was “one of the best in the State.” The Democrats’ parade included some of the Augusta Light Infantry and a band from Waterville.

There was an Augusta band in 1854, when Augusta city officials (the town became a city in 1849) decided the annual July 4 celebration should include recognition of the 100th anniversary of the building of Fort Western. Events included an extremely elaborate parade, with the Augusta Band providing the music.

And on April 18, 1861, as the Civil War began, North wrote that “the Augusta Band, playing patriotic airs” (including Yankee Doodle), led Augusta’s Pacific Fire Engine Company as members marched to the homes of leading citizens to ask their reactions to the rebellion.

(Their visits started with Governor Israel Washburn, Jr., and included his predecessor, former Governor Lot M. Morrill. North commented that Republicans and Democrats alike expressed support for the federal government.)

By August 1863, either there was another band or the Augusta Band had a second name. North described the return of two volunteer regiments whose members’ nine-months enlistments were up.

The 24th Regiment got to Augusta at 10:30 p.m. Aug. 6, by train; a large number of dignitaries and ordinary citizens and the Citizens’ Band escorted the soldiers to the State House for a welcome and a banquet (after which they slept on the State House floor, too exhausted to continue to Camp Keyes). The 28th arrived around noon Aug. 18; their welcoming parade included the Citizens’ Band and the Gardiner Brass Band, and their refreshments were served on the lawn south of the State House.

In 1864, according to North, it was the Augusta Band that on June 3 escorted the first trainload of wounded men to the new military hospital at Camp Keyes, in Augusta.

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In the village of Weeks Mills, in the southern part of the town of China, there was in the latter half of the 19th century an all-male brass band that the China history says “was more a marching band than a dance band,” because its concerts were mostly outdoors.

Sometimes there were concerts in “a town public hall” that was the second floor of a building on the east side of the Sheepscot, north of Main Street (which is called Tyler Road on the contemporary Google map). There was also a bandstand, “with a flagpole,” that band members built at the junction of North Road (now Dirigo Road, perhaps?).

Quoting a former resident named Eleon Shuman, some of whose family were in the band, the history adds, “Few of the band members could read music, and the band director transcribed their pieces into a simpler notation called the tonic sol fa method which they could follow.”

Oakland also had a town band by the late 1880s. In her history of Sidney, Alice Hammond wrote that the organizers of the 1890 Sidney fair spent most of their money to hire the Oakland Band.

She explained that in the absence of television and Walkmans (never mind smartphones), “To hear the band playing as you strolled around the fair grounds, or went into the hall and sat down to take a break was a treat.”

There were also dances some afternoons – “Anyone who wished to dance paid for one dance at a time.” In 1890, the fair was not lighted, so there was no evening music or dancing.

Hammond’s history included reproductions of two posters.

One advertised a Feb. 5, 1892, exhibition of “The marvels of the modern phonograph,” which would “Talk, Laugh, Sing, Whistle, Play on all sorts Instruments including Full Brass Band.” After Professor R. B. Capen, of Augusta, finished his demonstration, there would be a Grand Ball, with music by Dennis’ Orchestra, Augusta, for dancing until 2 a.m.

The second poster announced an Aug. 15, 1898, Grand Concert by the Sidney Minstrels. The program included vocal and instrumental (guitar, banjo and tamborine solos); it was followed by a “social dance” with music by Crowell’s Orchestra.

John Philip Sousa’s inaugural playing of The Stars and Stripes Forever, in Augusta

John Philip Sousa

An on-line site called Military Music says John Philip Sousa’s The Stars and Stripes Forever was played for the very first time by Sousa’s Band in the new (opened in 1896) city hall, in Augusta, Maine, on May 1, 1897. Because at that time the march had no title, some historians inaccurately date the first performance to a May 14 concert in Philadelphia.

Contributor Jack Kop­stein wrote that Sousa composed the march as he was returning from Europe late in 1896. His original version called for “Piccolo in D-flat, Two Oboes, Two Bassoons, Clarinet in E-flat, Two Clarinets in B-flat (1-2), Alto saxophone, Tenor Saxophone, Baritone Saxophone, Three Cornets (1-3), 4 Horns in E-flat (1-4), Three Trombones (1-3), Euphonium, Tuba, Percussion.”

Augusta’s Museum in the Streets (on line) says by May 1, 1897, Sousa’s Band was “the most famous in the land,” and Sousa was “America’s ‘March King.'” The afternoon concert presented some of his earlier compositions; “Sousa’s band enthralled the Augusta audience with spirited music, and his first encore was a new untitled march” – the one that became The Stars and Stripes Forever.

On-line sites give different versions of the words for the march. The one attributed to Sousa begins, “Let martial note in triumph float / And liberty extend its mighty hand….”

Your writer’s personal favorite begins “Be kind to your web-footed friends / For a duck may be somebody’s mother.” (The web attributes these words to radio comedian Fred Allen [1894-1956].)

Augusta’s 1896 city hall was designed by John Calvin Spofford (Nov. 25, 1854 – Aug. 19, 1936), a Maine-born, Boston-based architect well-known for designing public buildings in New England. In addition to municipal offices, the building included a city auditorium.

Kopstein, writing in 2011, said the building served its municipal function until 1987; it then became an assisted living facility. An on-line description of the Inn at City Hall says it now has “31 apartments with its historic decor preserved throughout the complex.”

Main sources

Grow, Mary M., China Maine Bicentennial History including 1984 revisions (1984)
Hammond, Alice, History of Sidney Maine 1792-1992 (1992)
Kingsbury, Henry D., ed., Illustrated History of Kennebec County Maine 1625-1892 (1892)
North, James W., The History of Augusta (1870)

Websites, miscellaneous.

Up and down the Kennebec Valley: Music in the central Kennebec Valley

The 1866 Hook organ at the South Parish Congregational Church, in Augusta.

by Mary Grow

After the frustration of finding only scanty and random information from local historians on how central Kennebec Valley residents cared for their destitute neighbors, your writer decided to continue frustrating herself on a more cheerful topic: music.

There were music and musicians in central Maine before the Europeans’ arrival. Music historian George Thornton Edwards provided a bit of information on native American music in his Music and Musicians of Maine.

The early European settlers, too, enjoyed and appreciated music, Edwards wrote. At first it was mostly sacred and mostly vocal.

An 18th century Viol.

The usual accompaniment to a church choir was a bass viol. Portland’s Second Parish Church seems to have been a leader in expanding use of instruments. Edwards wrote that the cornet and clarinet (or clarionet) had supplemented the viol before 1798, when the church acquired the first church organ in the city.

Augusta wasn’t far behind. In 1802, according to Edwards and to James North’s Augusta history, residents of the North Parish raised $35 to buy a bass viol and build a box for it. Stephen Jewett played the viol; Edwards commented that “ultra conservative” residents no doubt disapproved.

North included a reference from 1796, when Hallowell Academy, opened May 5, 1795, celebrated the end of its first year with public student recitations. North quoted from the May 10, 1796, issue of the Tocsin (Hallowell’s second newspaper): the public presentation included “vocal and instrumental music, under the direction of Mr. Belcher the ‘Handel‘ of Maine.”

(“Mr. Belcher” was Supply Belcher [March 29, 1751 – June 9, 1836]. Born in Massachusetts, he fought in the Revolution; moved to Hallowell in 1785; and in 1791 settled in Farmington for the rest of his life. He published in 1794 a collection of his sacred compositions called The Harmony of Maine.)

North borrowed from Edwards’ history a description of another series of musical events that started in early 1822, when a group of musically-inclined South Parish Congregational Church parishioners brought to the town “Mr. Holland,” a professor of music from New Bedford, Massachusetts. (Your writer has failed to find Mr. Holland’s first name or dates.)

Holland began a new method of teaching “psalmody” (the singing of sacred music, especially in church services) and gave piano lessons. His singers joined the church choir, and the ensuing interest led to raising money to buy a $550 British-made organ, the first organ in Augusta. It was installed on Sept. 4, North said.

The next Sunday, “Mrs. Ostinelli,” Sophia Henrietta Emma Hewitt Ostinelli (May 23, 1799 – Aug. 31, 1845), played the organ. She was the daughter of Boston composer, conductor and music publisher James Hewitt, and the new wife of Italian-born violinist and conductor Paul Louis Antonio Ostinelli (1795 – 184?). An on-line source calls her “pianist, organist, singer, and music teacher.”

Edwards wrote that her husband was described as a violinist “without a peer in America at that time.” He was also an orchestra conductor.

On Sept. 19 and again on Sept. 25, Holland directed “an oratorio of sacred music,” held, Linda Davenport wrote in her Divine Song on the Northeast Frontier, at the church. The concerts were benefits, the first for Holland and the second for the Ostinellis.

Music was provided by church members – the church did not seem to have its own “ongoing musical society,” Davenport wrote – plus choir members from Hallowell’s Congregational and Baptist societies. At one of these concerts, maybe both, Ostinelli played violin solos.

Davenport reprinted the program of the Sept. 19 concert. Each of the two parts began with an organ voluntary, followed by vocal music, both chorus and solo. Seven of the 15 pieces performed were by George Frideric Handel; one was by Franz Joseph Haydn.

North wrote the Holland concerts were the last time such “first class concerts” were presented in Augusta until June 1859, when Ostinelli’s daughter Elise, Madame Biscaccianti, sang.

Holland moved back to New Bedford in September 1823, Edwards wrote. “It is said that his influence on the musical life in Augusta is felt to this day (1928).”

The same year Cyril Searle was “temporarily located in Augusta and he continued the excellent work which had been started by Mr. Holland.”

North devoted three pages to Searle – not to his musical career, but to a description of the sketch he did of Augusta, probably in 1823 (definitely after Maine and Massachusetts separated in 1820, and before a building he included burned on Nov. 8, 1823).

When Augusta’s first Unitarian church, called Bethlehem Church, was built in 1827, it had an organ, North wrote. This church, according to Henry Kingsbury’s Kennebec County history, was on the east bank of the Kennebec, where the Cony Flatiron Building (formerly Cony High School) stands today. Since most of the Augusta Unitarians lived on the west side of the river, a new church was built only six years later on State Street, about a block north of the present Lithgow Library.

In later descriptions of new church buildings, North occasionally mentioned an organ; apparently by the 1830s, they were common enough not to be worth noting.

An event he described that will remind readers of the old saying, “The more things change, the more they stay the same,” and in which music played a minor role, occurred in 1832.

By then Maine’s capital had moved to Augusta. The legislature, meeting in secret session, discussed a controversial proposal to cede land to Great Britain to resolve the conflict over the Maine-Canada boundary (a conflict that led to the Aroostook War of 1839 – see the March 17, 2022, issue of The Town Line).

An anonymous source sent information on the secret deliberations to Luther Severance, publisher of an Augusta newspaper, who printed it. Legislators demanded to know the source. Severance refused to answer committee questions and was threatened with a contempt citation, but was apparently never prosecuted.

Enough of Augusta’s elite sympathized with Severance to organize a dinner in his honor, at which speakers denounced legislators, praised the free press and, North quoted from Severance’s newspaper, enjoyed “an excellent dinner, moistened with the best old Madeira, and accompanied by fine music.”

* * * * * *

There were also privately run singing schools, Edwards wrote. Millard Howard wrote in his Palermo history that schoolhouses were one place singing schools met. He added that by the late 1800s, schoolhouses were also sites for “some rowdy dances with frequent fights.”

Edwards’ history includes names of people, mostly men but some women, who ran singing schools. One was Coker Marble, whose singing school in Vassalboro operated for more than 20 years in the period from 1836 through 1856.

An on-line Marble genealogy provides limited information on not one but two men named Coker Marble. The genealogy starts with Samuel Marble (Oct. 23, 1728 -?) and Sarah Coker (June 21, 1735 -?), who married in 1754 in New Hampshire. They had at least three children: Hannah and John, both born in 1755, and Coker Marble Sr. (Sept. 28, 1765 – Aug. 30, 1823).

Coker Marble Sr., married twice, according to the on-line genealogy. He and his first wife, Polly Mason, whom he married about 1796, had at least one daughter.

On Jan. 1, 1801, in New Hampshire, he married Rhoda Judkins (1776 -1864). The oldest of their six children was Coker Marble Jr. (Feb. 8, 1802 – Sept. 10, 1882), who was born in Vassalboro.

In his chapter on Vassalboro in the Kennebec County history, Kingsbury named Rev. Coker Marble as pastor – presumably the first pastor – of the Second Baptist Church, organized at Cross Hill in 1808 with 37 members but, Kingsbury said, “probably…no church property.” From the dates in the genealogical information, this pastor must have been the senior Coker Marble, who would have been in his mid-40s in 1808.

Grave marker for Elder Coker Marble Sr., left, and his wife, Rhoda, on right., at the Cross Hill Cemetery, in Vassalboro.

Vassalboro cemetery records show that Coker Marble Sr., named as Elder Coker Marble, and Rhoda are buried in Vassalboro’s Cross Hill cemetery, with the two youngest of their four daughters.

(Your writer also found on line a biography of a Massachusetts doctor named John Oliver Marble. The biography specifies that he was the son of John and Emeline [Prescott] Marble and the grandson of Rev. Coker Marble. Dr. Marble was born April 26, 1839, in Vassalboro. He graduated from Colby in 1863 and received his medical degree from Georgetown in 1868.)

Coker Marble Jr., married Marcia Lewis (March 19, 1806 – Dec. 17, 1881) on Aug. 31 or Oct. 20, 1824, in Whitefield. Between 1825 and 1853 Marcia bore seven daughters and three sons. The sons were named Arthur, Edwin and Henry.

From the birth and death dates, your writer concludes that it was Coker Marble Jr., who ran the Vassalboro singing school, probably beginning when he was in his early 30s. The genealogy lists two of his and Marcia’s children as born in Vassalboro, in 1837 and 1841, and two others in Hallowell, in 1839 and 1845.

The on-line site says the younger Coker Marble lived in Pittston in 1870 and Skowhegan in 1880; Marcia is listed in Pittston in 1870 and in Milburn in 1880 (Milburn might then have been part of Skowhegan). Both died in Bath (another site says Coker Marble died in either Bath or China) and are buried in Bath’s Maple Grove Cemetery.

Main sources

Davenport, Linda, Divine Song on the Northeast Frontier Maine’s Sacred Tunebooks, 1800-1830 (1996).
Edwards, George Thornton, Music and musicians of Maine: being a history of the progress of music in the territory which has come to be known as the State of Maine, from 1604 to 1928 (1970 reprint).
Howard, Millard, An Introduction to the Early History of Palermo, Maine (second edition, December 2015).
Kingsbury, Henry D., ed., Illustrated History of Kennebec County Maine 1625-1892 (1892).
North, James W. , The History of Augusta (1870).

Websites, miscellaneous.