REVIEW POTPOURRI: Meyer Davis plays the Twist

Chubby Checker

Peter Catesby Peter Cates

Meyer Davis plays the Twist

Cameo 1014, vinyl LP, recorded 1960.

Meyer Davis

Band leader, Meyer Davis (1895-1976) ran a multi-million dollar empire of dance music several decades for coming-out parties, and seasonal galas hosted by the folks living in West Palm Beach, Newport, the Bahamas, Houston’s River Oaks, Greenwich, Paris, and the Mediterranean Coast, and for whom money meant a rich full life to too many of them.

At 18, Davis had enrolled in law school while earning $90 a week leading a group of musicians at evening gatherings. His talent and business skills proved a better career choice than becoming a lawyer. His bands played at seven presidential inaugural balls right up to JFK, and they performed for the English nobility, including King George V.

This album of music for Cameo-Parkway – the same Philadelphia label that produced Chubby Checker’s original hit record, The Twist, – provided spiky, captivating renditions of that song, Mack the Knife, Rock Around the Clock, I Could Have Danced All Night and other selections. Davis utilized the most brilliant musicians, creating a record that mirrored high society get-togethers during the early 1960s very evocatively.

Hobbies included playing chamber music with his brother-in-law, the great conductor Pierre Monteux, and collecting first editions of Lord Byron’s books and other memorabilia with his wife.

REVIEW POTPOURRI – Actor: Robert Ryan

Robert Ryan, left, with Charles Bronson in a scene from the film The Dirty Dozen.

Peter Catesby Peter Cates

One of the most gifted and, nowadays, under-appreciated actors in Hollywood for over 30 years, Robert Ryan (1909-1973) played many character roles, being his best in films as evil men who were often neurotic, driven, complex.

Robert Ryan

One great performance was in the 1962 film, Billy Budd, based on Herman Melville’s novel. The story was based on the wars for naval supremacy between the British and French navies during the Napoleonic era; Ryan played the evil Master-at-Arms, John Claggart, on a British ship who ordered the flogging of sailors under his command for the most minor infractions, including not tucking a bunk blanket correctly. The half-smiles of enjoyment in his eyes, alongside his poised dignity, during the meted-out punishments attest to Ryan’s precisely-honed talent.

Other movies in a large list were 1947’s Crossfire as an anti-Semetic World War 2 officer; 1954’s Bad Day at Black Rock, as the leader of a dangerous gang of men living in a small desert town; and the same year’s Her Twelve Men, alongside Greer Garson, as one of two nice teachers in a private boy’s school in which Ryan sings and plays the guitar.

In 1944, Robert Ryan joined the Marines and served until late 1945; a friend of my parents told me about having the actor as a drill instructor in the handling of pistols during his boot camp experiences and remembering that he was a very good teacher.

Being a chain smoker, Ryan found out that he had inoperable cancer of the lymph nodes in 1970. But he kept acting . His last film was the Eugene O’Neill play, The Iceman Cometh, with Lee Marvin in the main role as Hickey, in its four-hour movie version; its world premiere was after Ryan died on July 11, 1973, at 63. He lost his wife, Jessica, to cancer in 1972.

Just before he died, Ryan said “I’ve been lucky as hell with my career and my family!”

REVIEW POTPOURRI: The Atlantic Music Festival

Lorimer Chapel at Colby College.

Peter Catesby Peter Cates

The Atlantic Music Festival

Presented annually at Colby College

Since 2008, our local, world-renowned Colby College has been hosting the Atlantic Music Festival for the month of July. The festival brings composers, instrumentalists and vocalists together to make music and perform concerts free of charge to the public.

Because of my abysmal laziness and stupidity, even though I knew about the AMF, I had not attended any of its previous concerts until the season’s final two this past Friday and Saturday at the College’s Lorimer Chapel. I now stand duly admonished because of what I had been missing the last 11 years.

Friday’s program consisted of chamber music that involved the four groups in most every orchestra – strings, woodwinds, brass and percussion. Complete pieces and select movements from works of Karel Husa, Wolfgang Amadeus Mozart, Gabriel Faure, Maurice Ravel, Claude Debussy, Charles Gounod, Sigurd Berge, Johan Halvorsen, Mikhail Glinka, and composers in the festival received splendid renditions.

Ones that stood out were Faure’s 1st Violin Sonata, Ravel’s Trio for Violin, Cello and Piano, and Violin and Cello Sonata, Debussy’s Sonata for Harp, Viola and Flute, Gounod’s Petite Symphonie for 2 Oboes, Clarinets, Bassoons, and French Horns and 1 Flute, Mozart’s K.493 Piano Quartet, and one major discovery, Glinka’s Grande Sextet.

The Festival Symphony concert on Saturday was led by the very gifted Dean Whiteside, a conductor to reckon with later, along with other participants, and we heard riveting performances of Verdi’s Nabucco Overture, the Dvorak 8th Symphony and an extraordinary Violin Concerto composed by the festival’s director, Solbong Kim, in its world premiere. The soloist was Sojin Kim, no relation.

Attendance at future July festivals couldn’t be more highly recommended!

REVIEW POTPOURRI: Robert Frost, American poet

Robert Frost

Peter Catesby Peter Cates

Robert Frost

American poet

American poet Robert Frost (1874-1963) was one of the very few who could earn a living from poetry alone, not having to do other jobs . He was also the only winner of four Pulitzer prizes for poetry.

Frost’s main subject material was living in New England, mostly its trials and tribulations and a few moments of its joys. His poetic technique was the native colloquial speech of New Englanders and the poems had simplicity, infinite re-readability and deeply profound themes that resonated.

My favorites are The Road Not Taken, Stopping by Woods on a Snowy Evening (“Miles to go before I sleep”), Mending Wall (“Good neighbors make good fences”) and the very tragic Home Burial.

Robert Frost was very friendly and he could be difficult, to which many folks could reply, “So what else is new ?”

He and his wife, Elinor, had six children – four daughters and two sons. The two oldest daughters outlived their father while the two youngest died shortly after birth. The older son died at four years old of cholera; his younger one committed suicide at 38 years old. Elinor passed away in her early 60s in 1938 of a heart attack, himself during prostate surgery, at 88, in 1963.

Robert Frost had the honor of reading a poem in January, 1961, at JFK’s inauguration, and was given honorary degrees from several colleges and universities, even though he never graduated from one.

To conclude, a quote from his poem, The Road Not Taken:

“Two roads diverged in a yellow wood….I took the one less traveled by and that has made all the difference.”

REVIEW POTPOURRI: The Desert Song

Peter Catesby Peter Cates

The Desert Song

Mario Lanza, Judith Raskin etc.; RCA Victor LSC-2440, LP, recorded 1959.

Mario Lanza

Mario Lanza (1921-1959) was one of the finest tenors who ever lived, when it came to beauty, tone, powerful one-on-one communication and love of singing. I have a number of his recordings covering opera arias, popular songs from the ‘40s and ‘50s, Broadway show tunes, Christmas carols etc.; but I have most often enjoyed his singing of the two operettas, Rudolf Friml’s The Vagabond King and Sigmund Romberg’s The Desert Song, both of them taped shortly before his sudden death from a blood clot on October 7, 1959, and with the late soprano, Judith Raskin (1928-1984).

Sigmund Romberg’s operetta was based upon the book by Oscar Hammerstein II, Otto Harbach, and Frank Mandel. Its first performance in New York was November 30, 1926, at the Casino Theater on Broadway and 39th Street, after successes in Wilmington, Delaware, and Boston.

Judith Raskin

Lanza and Raskin’s duets in the title song and One Good Boy Gone Wrong resonate with the great duet recordings of Nicolai Gedda and Mireille Freni in La Boheme, Jussi Bjoreling and Victoria de los Angeles in Madame Butterfly, Angela Gheorghiu and Jonas Kaufmann in the Tosca Love Duet, Sarah Vaughan and Billy Eckstine’s Passing Strangers, Frank and Nancy Sinatra’s Something Stupid, Frank Sinatra and Dinah Shore’s My Romance and Dietrich Fischer-Dieskau and Maria Stader’s in Mozart’s Magic Flute, The solos of Lanza’s One Alone and Raskin’s Romance are some of many reasons life is worth living.

Selections from the album can be heard on YouTube.

Before his death, he was approached by RCA Italiana to record a few operas. Unfortunately, fate intervened. His widow, Betty, died of a drug overdose in early 1960. three of their four children since then; two sons, Marc and Damon, from heart issues, and a daughter, Colleen, after being hit by a driver while crossing the street and dying two weeks later in a coma.

REVIEW POTPOURRI: The hiker, Peace Pilgrim

Mildred Lisette Norman, Peace Pilgrim

Peter Catesby Peter Cates

Peace Pilgrim became renowned during her lifetime for crossing the entire United States at least six times on behalf of peace, feeling this leading from God.

She began her 29 years of walking in 1952 with hiking the entire Appalachian Trail in one season. The trail is 2,200 miles/3,500 kilometers of length, it is the longest hikers-only trail in the world, and it extends from Katahdin, in Maine, to Springer Mountain, in Georgia. She also coined the name ‘Peace Pilgrim’ on New Year’s Day, 1953, as to why she was doing these very lengthy distances and why she discontinued her previous name of 45 years.

Mildred Lisette Norman was born on July 18, 1908, and was raised on a chicken farm in Egg Harbor, New Jersey, a community of German immigrants. Her father was a carpenter, her mother a tailor, and she had two younger siblings.

She and her then-boyfriend, Stanley Ryder, eloped in 1933, settled in Philadelphia in 1939, and divorced in 1946.

During the years of walks, Peace spoke often at universities and churches and appeared on radio and television, She led an ascetic life, wearing the clothes on her back and taking no food and shelter until offered it.

She was killed in an automobile accident on July 7, 1981, exactly 38 years ago as I write this, being driven to an Indiana speaking engagement.

Peace Pilgrim did visit once or twice in the central Maine area but my interest in her began when, less than a month ago, a cousin of mine texted me photos of her parents, a wonderful aunt and uncle , with the woman at least 50 years ago. Peace Pilgrim’s commitment to walking the longest distances over a 30-year span, to speaking to others about her concerns where the world was headed with its evil tendencies and to enduring the hardships gladly that came with her stand for peace and good will – these were what resonated with people of conscience in their hearts whatever their world views might be. They do with me.

REVIEW POTPOURRI – Mozart: Violin Concertos 1-5

Peter Catesby Peter Cates

Adagio and 2 Rondos

Lena Neudauer, violinist, with Bruno Weil conducting the Deutsche Radio Philharmonie Saarbrucken Kaiserslautern; SWR Music, 2 CDs, recorded 2013.

Lena Newdauer

Lena Neudauer, born in 1984, displayed extraordinary talent early in her childhood, but steered clear of starting her career during adolescence. In quoting her from the set’s liner notes, “I did not want to live in hotels and be constantly on stage when I was only 15.”

Instead, she kept learning under the tutelage of a few teachers, Thomas Zehetmair standing out among them. She performed with chamber music colleagues, a rock band on keyboards and percussion and got married and brought 2 children into the world. In short, she began her career with her feet firmly on the ground and considers her life a very happy one.

Neudauer’s set of Amadeus’s five Violin Concertos, Adagio in E Major and Rondos in B and C display a most level-headed intelligence, endearing sensitivity to every note and formidable virtuosity at the service of music. While quite familiar with Concertos 2-5 through recordings of Arthur Grumiaux, the Schneiderhan Brothers, Giaconda da Vito, Jascha Heifetz, Pinchas Zuckerman, Leonidas Kavakos etc., I find Neudauer’s performances worth adding to the shelves.

Her performances of the lesser-known 1st Violin Concerto, Adagio, and 2 Rondos bring out their own beauties, raising the desirability of this set for those who cherish these Concertos and who like fine music. Certain “music-critics in-the-know” have these works at a lower level than Mozart’s Piano Concertos, Symphonies and Operas; as far as I am concerned, they are full of claptrap. A set very much worth hearing and owning !

Recommended 4th of July music: anything by Aaron Copland, Stephen Foster, Edward MacDowell, Charles Ives, Burl Ives, The Weavers, Duke Ellington, George Gershwin, Samuel Barber, Charlie Mingus and other great American musical figures.

REVIEW POTPOURRI: The Man Who Came to Dinner

The Man Who Came to Dinner (1942)

Peter Catesby Peter Cates

The Man Who Came to Dinner

starring Monte Woolley, Bette Davis, Reginald Gardner, Ann Sheridan, Jimmy Durante, Mary Wickes, Richard Travers etc.; directed by William Keighley; Warner Brothers, dvd, released New Year’s Day, 1942, 112 minutes.

Monty Woolley

Although Monty Woolley (1888-1963) appeared in a number of other films and plays, his most well-known role is that of the radio commentator, lecturer and boa-constructor wit, Sheridan Whiteside, known as “Sherry” to his select friends. The 1942 film came on the heels of several hundred performances on Broadway of this George S. Kaufman/Moss Hart play, during which Woolley honed his character to the most exacting level.

Whiteside was based on the legendary Algonquin Round Table wit, Alexander Woolcott (1887-1943), his own larger-than-life heft and personality worthy of another column.

The plot begins when Whiteside and his secretary of many long-suffering years, Maggie, played by Bette Davis, stop for a lecture in an Ohio city during the cold of winter and accept an invitation to a luxuriant house for dinner. He walks up the slippery front steps, falls and breaks his hip. Because he is stuck in a wheelchair for an unknown number of weeks, he seizes control of the house from its rightful owners and launches a dictatorship of everyone and everything in it.

The insults and other comments among Whiteside, Maggie and others are non-stop. Meanwhile, Maggie can hold her own with sassing him back and forth, Bette Davis delivering one very fine performance in the film.

Other cast members give performances of their lifetimes. Ann Sheridan portrays Lorraine Sheldon, a successful actress, and long-time friend of Whiteside and mutual enemy of Maggie who travels from Florida to visit Whiteside for as long as she, not Whiteside, wants. Her manipulations of everyone around her add lots of comedy to the film.

Jimmy Durante

Jimmy Durante plays another friend, Banjo, and film comedian, who drops in to visit Whiteside on his way from Hollywood to Nova Scotia because he wishes to feast on salmon in eastern Canada and avoid one of his girlfriends whom he had promised to visit in New York City. Whiteside refers to Banjo as the “reform school fugitive” and invites him to stay for as long as both Whiteside and Banjo want. Banjo’s initial indecision about the amount of time to take advantage of Whiteside’s hospitality leads to Durante’s classic song-and-dance sketch, Did You Ever Have the Feeling that You Wanted to Go and the Feeling that You Wanted to Stay?

Space limits details on additional members in the cast but Reginald Gardiner, Mary Wickes and Richard Travers are worthy of very honorable mention.

Quotes from the film:

Whiteside: ‘Banjo, my lad, you’re wonderful. I may write a book about you.’
Banjo: ‘Don’t bother. I can’t read.’
Maggie: ‘Sheri, the next time you do not want to see anybody, just let me know and I’ll usher them right in.’

REVIEW POTPOURRI: Leonard Cohen, Songs from a Room

Leonard Cohen

Peter Catesby Peter Cates

Leonard Cohen

Songs from a Room
Columbia/Legacy-88697047402, CD, recorded 1968.

Quebec-born singer/songwriter Leonard Cohen (1934-2016) was arguably most well-known for Hallelujah but, back in the 1960s, his Suzanne and That’s No Way to Say Good­bye held their own as very frequently sung.

The lyrics dealt with politics, loneliness, integrity, faith – the themes underlining a life worth living, whatever side of the drawn line. The titles in the above 12-track collection suggest much in subject matter – Bird on a Wire; Story of Isaac; A Bunch of Lonesome Heroes; The Partisan; You Know Who I Am; Tonight Will Be Fine; half dozen others.

Jennifer Warnes

For me, what sustains this second of his many albums is the beauty and moral power of the selections; the sing­ing, ar­range­ments, and repeat listenability. Very highly worth hearing and having.

His long time musical colleague and friend Jennifer Warnes devoted her worthwhile 1987 release, Famous Blue Raincoat to his songs .

Quote – “There is a crack in everything, that’s how the light gets in.”

 

 

 

REVIEW POTPOURRI: Sir John Barbirolli conducting the Halle Orchestra

Edvard Grieg

Peter Catesby Peter Cates

Grieg

Peer Gynt Suite No. 1; Symphonic Dances; Two Elegiac Melodies
Sir John Barbirolli conducting the Halle Orchestra; Mercury MG 50164, LP, recorded August 9, 1957.

Peer Gynt 5-act play

Edvard Grieg (1843-1907) forged a musical style that was compounded of his life experiences amidst the beauties of the Norwegian landscape; health issues and one major loss; and the tunes and folk songs he heard and made part of his very soul. The fjords, mountains, lakes, meadows were distilled in the justly famed A Minor Piano Concerto, not on this record, and the three works that are contained here.

When he was 17 years old, in 1860, he came down with both pleurisy and tuberculosis but survived them, left in frail health for the remainder of his life. He married his first cousin, Nina Hagerup (1845-1935), in 1867, and they had a baby girl in 1868, only to lose her at one year old because of meningitis.

With respect to the music of Grieg’s formative years, as with such titans as Bach, Haydn, Beethoven, Brahms and Mahler, the bottom line is the quality of sheer genius they and select other composers brought to their own creations. The Peer Gynt 1st Suite has four numbers – the ever-majestic Morning, the haunting tragic Asa’s Death which is my favorite, the rhythmic mystery of Anitra’s Dance and the nasty savagery of In the Hall of the Mountain King. Its endless listenability through piles of different recordings since the early 1900s, every one at least good, has sustained a position among the 10 most well known classical standards.

Sir John Barbirolli

His four Symphonic Dances are a vivacious series of what some have labeled “free fantasias;” the high spirits of countryside festivities – whether in Grieg’s Norway or the Bohemian world of Bedrich Smetana’s opera, The Bartered Bride, and Antonin Dvorak’s Slavonic Dances. The 2nd Dance has the solo oboe, and gently caressing harp and strings in one very well-sustained moment of lyricism that is unfortunately seldom heard.

Two Elegiac Melodies, for strings only, have the titles of Heart’s Wounds and The Last Spring, conveying the sadness and loss of irretrievable memories of happiness.

Sir John Barbirolli (1899-1970) lavished his complete soul on this music as he so often did with other composers. The Mercury record has the most vivid sense of immediacy to be heard on very few records from the 1950s. It too has been transferred to CD and streaming.