REVIEW POTPOURRI: Andrew Jackson

Andrew Jackson

Peter Catesby Peter Cates

Andrew Jackson

The seventh former President Andrew Jackson (1767-1845) has drawn much controversy during the more than 180 years since his years at 1600 Pennsylvania Avenue from 1829 to 1837. His stand against the abolition of slavery, his being a wealthy plantation owner with slaves at his large Tennessee mansion known as the Hermitage, his signing into law the forced removal of native Americans from their ancestral lands in Georgia and Alabama to the Oklahoma Indian Territory (resulting in so many deaths from disease and malnutrition on the Trail of Tears) and his abrasive uncouth personality alienated many of the more socially refined ladies and gentlemen during his lifetime.

However, his list of accomplishments include a few milestones. As general of the American forces stationed in the Gulf Coast during the War of 1812, he drove the British out of that area during the 1814 Battle of New Orleans, itself becoming the title of a 1958 Columbia Records megahit 45 by the late Johnny Horton (1922-1960) which many kids in East Vassalboro, including myself, owned and played constantly, much to the annoyance of our parents.

As President, Jackson fought and won against the establishment of a National Bank which he rightfully saw as benefiting only the wealthy. He was also the only president to pay off the national debt during his administration. Needless to say, he resonated with the common folks.

When he first arrived at the White House, he threw open the doors to large crowds outside and got more than he bargained for. The inside partygoers busted every window in the White House, Jackson himself narrowly escaping through a kitchen window.

Only when the servants brought food and kegs of beer outside to the Rose Garden did the melee subside.

Interestingly by some weird twist of fate, Jackson’s vice-president was also South Carolina Senator John C. Calhoun who stayed on in the job after former sixth President John Quincy Adams was defeated in his own re-election bid, but Jackson and Calhoun would have a falling out and Jackson would appoint Secretary of State and future eighth President Martin Van Buren as Veep for the second term.

Rachel Jackson

Andrew Jackson’s wife Rachel (1767-1828) died one month before Jackson moved into the White House. She had been married previously for several years to an abusive man and, trying to escape from that relationship, had moved back to her mother’s home. That husband filed for divorce, after which she and Jackson got married in 1791, only to find out that Hubby One had been mistaken when he told Rachel the divorce had been granted without confirmation from the court.

When the divorce finally came through, the Jacksons had a second ceremony in 1794.

When Jackson ran for president, his political enemies viciously slandered the couple as big amiss and the distress caused Rachel much suffering and depression and may have led to her death at the age of 61.

As did her predecessor, Elizabeth Monroe, Rachel disliked political life but was supportive of her husband when he was a Senator from Tennessee, much preferring life at the Hermitage. She once commented that she would much prefer to be a doorkeeper in the heavenly house of the Lord to living in the White House palace.

A niece Emily Donelson (1807-1836) served as hostess for most of her Uncle Andy’s years in the White House until her early death from tuberculosis.

On June 8, 1845, Andrew Jackson died from heart failure at the Hermitage. He was 78.

A closing detail — Jackson fought for the removal of the Electoral College.

Emily Donelson

REVIEW POTPOURRI – Pianist: Marcelle Meyer

Marcelle Meyer

Peter Catesby Peter Cates

Marcelle Meyer

Pianist Marcelle Meyer (1897-1958) was one of a superbly gifted group of pianists born between 1880 and the beginning of World War I, among whom other personal favorites include Artur Schnabel, Artur Rubinstein, Wilhelm Backhaus, Wilhelm Kempff, Edwin Fischer, Eduard Erdmann, Robert and Gaby Casadesus, Walter Gieseking, Rudolf Serkin, Shura Cherkassky, Oscar Levant, Dame Myra Hess, Sir Clifford Curzon, Sviatoslav Richter, Clara Haskil, Monique Haas, Claudio Arrau, Wanda Landowska, Friedrich Wuehrer, Cutner Solomon, Vladimir Horowitz, Cyril Smith.

The reason for this shopping list is to provide names of keyboard artists whose recordings can be found on Youtube so that the hopefully curious can indulge themselves and lead others, thus increasing the market for classical music which has shrunk to even lower levels (down from roughly 30 percent in previous decades to two per cent in this age of attention deficit disorder ignorance).

Born in France, Meyer started lessons at the age of five with her older sister Germaine and entered the Paris Conservatory at the age of 11 for further studies with the legendary pianists Alfred Cortot and Marguerite Long.

She drew the attention of composers Maurice Ravel, Igor Stravinsky and Claude Debussy, who coached her in the interpretation of his Preludes just before he died in 1918.

Meyer championed the works of several other 20th century composers both in France and elsewhere in Europe.

But her finest legacy might lie in her revival of interest in a handful of baroque and 18th century composers such as Bach, Scarlatti, Couperin, Rameau, Haydn and Mozart when she began recording their music during the 1940s.

I have been recently listening to a 17 CD set of Marcelle Meyer, Complete Studio Recordings 1925-1957 (Documents 600209) which can be bought inexpensively from online vendors. It features her playing of the above mentioned composers along with Emannuel Chabrier, Rossini, Schubert, Spanish composers Oscar Espla, Isaac Albeniz and Manuel de Falla, Richard Strauss, Darius Milhaud, and Francis Poulenc.

She played with the most extraordinary emotional warmth, delicacy and inspired one on one connection with the listener. Some of her most beautiful playing was found in the records of Bach, Scarlatti and Rameau where an undercurrent of melodic line was conveyed which eluded other pianists.

On November 17, 1958, Marcelle Meyer died suddenly, at the much too young age of 61, of a heart attack while playing piano at her sister Germaine’s apartment.

Youtube contains a 1956 broadcast of her phenomenal rendition of Beethoven’s Emperor Concerto with the underrated Volkmar Andrae conducting the Suisse Romande Orchestra in Geneva, Switzerland.

REVIEW POTPOURRI: First Lady Louisa Catherine Johnson Adams and John Adams

Louisa Adams

Peter Catesby Peter Cates

Louisa Adams

The sixth former First Lady, Louisa Catherine Johnson Adams (1775-1852) was born in London, England, and was one of only two first ladies not born in the U.S., the other being Melania Trump who entered the world in 1970 in Yugoslavia.

Louisa was also born illegitimately; her mother was referred to by her grandson, the noted historian and cynic Henry Adams (1838-1918), as “one of the deeper mysteries of metaphysical theology.”

In America’s First Ladies, Christine Sadler describes Louisa as having “the delightful chore of making a parlor out of the vast East Room of the White House in which her mother-in-law had strung the family wash to dry 24 years earlier.”

Like Dolly Madison, she was quite the gracious hostess (although not the very bubbly social butterfly that Dolly was) and married to a president who preferred to be left alone in his study, more about his personality coming soon.

At first Louisa was not accepted by her mother-in-law Abigail Adams, but the older woman soon found they both had a lot in common, especially having very strong opinions which the gentlemen around them found at times unbearable, and they got along quite well.

Unlike her mother-in-law, Louisa was prone to depression and suffered from frail health.

J. Quincy Adams

I now shift the focus to Louisa’s husband John Quincy Adams (1767-1848) who served one term as president from 1825 to 1829.

By many scholars, including his detractors, Quincy Adams is considered one of the smartest to hold office with a very high IQ. Several of his predecessors recognized these qualities and he served at diplomatic posts in England, France, the Nether­lands, Prussia and Russia. In addition he was fluent in Latin, Greek, French, German, Spanish, Italian, Dutch and Russian.

Socially, he could be a stiff arrogant prig and really did not enjoy being with most people, much like James Madison .

Interestingly, after leaving the White House, Q was elected by his home state of Massachusetts to the House of Representatives where his popularity was far greater than as chief executive. His arguably finest moment, as one of the handful of leaders unwaveringly opposed to slavery, was giving a speech defending the slaves who took over the Amistad ship transporting them from Africa to the United States and getting them acquitted and allowed to return to their homeland.

He served in Congress for the remainder of his life where in 1848, at the age of 81, he suffered a stroke while giving a speech in the chamber.

Q was carried into his private office where he died in the presence of his wife and others, including the Illinois Representative Abraham Lincoln.

Louisa outlived her husband by four years and died of a heart attack in 1852 at the age of 77.

A few other facts:

Q and Louisa were believed to have married on the rebound, as both had suffered broken hearts in a previous relationship.

Q amassed a collection of different translations of the Bible.

While president, he bathed naked every morning at 5 a.m. in the Potomac River no matter what season of the year.

The above-mentioned grandson recounts an incident in his autobiography The Education of Henry Adams when, in sixth grade, he told his mother that he didn’t feel like going to school; whereupon grandfather, who was referred to by all his grandchildren as the President, took the lad firmly by the hand, walked him two miles to the schoolhouse never saying a word, escorted him into the classroom and sat him down at his desk.

The President then returned in the afternoon and repeated the procedure. Grandson never complained again.

Ironically, Quincy’s vice-president was South Carolina Senator John C. Calhoun (1782-1850) who was an unwavering supporter of slavery and a “White South.”

REVIEW POTPOURRI: Conductors Bruno Walter and George Szell

Bruno Walter, left. George Szell, right.

Peter Catesby Peter Cates

Back during eighth grade in 1964, I was hungrily eager to hear every record of classical music that I could beg, borrow, buy, barter for; and one neighbor was kind enough to loan the Arturo Toscanini/NBC Symphony RCA Victor Red Seal LP of Beethoven’s 5th and 8th symphonies, that I auditioned on another neighbor’s hi-fi which was quite superior in sound to the $32 manually operated phonograph I owned.

I was already quite familiar with the 5th Symphony via an old Columbia Masterworks set of five 12-inch 78s, conducted by Bruno Walter (1876-1962) with the New York Philharmonic.

I remember the black and white photo of Walter raising his arms in the air and conveying, in his stern eyes, that he meant business; Leonard Bernstein called him one of the great saints of music with a sweet gentle spirit and wearing silk gloves but beneath those silk gloves was an iron fist and a sneaky snakiness in Walter’s ability to look out for number one.

But Walter was a truly great conductor on the same level as his close friend Toscanini (1867-1957) and his recording of the 5th had a combination of dramatic power and nicely contrasting poetry while Toscanini’s performance had the excitingly riveting volatility of a sledgehammer.

Back to my first encounter with the 8th Symphony. Toscanini and his players tore into the first movement and fully communicated its growling jubilation, Beethoven being a 100 percent manic depressive.

This symphony had its first performance in 1812 in Linz, Austria, where the composer was visiting his brother Johann, enjoying his hospitality and, at the same time, trying to break up a relationship Johann was having with a woman whom Beethoven considered a lowlife. The situation and how it was resolved makes for hilarious reading.

The second movement is a perky dance with the bassoon taking center stage with its staccato notes.

The third movement is labeled as a Menuet but its beauty is a passionate outpouring of the heart, as opposed to a graceful elegant dance, with some very eloquent, almost heavenly writing for the strings.

The final movement is a vivacious highly spirited romp for the entire orchestra.

A similarly exciting performance of the 8th was an early 1960s one conducted by the arch perfectionist, SOB, taskmaster George Szell (1897-1970) with the Cleveland Orchestra while another one from 1957 with Andre Cluytens (1905-1967) conducting the Berlin Philharmonic has a more relaxed sedate quality that works beautifully, this Maestro being one who was quite underrated during his own lifetime.

While the 7th Symphony is a colossal masterpiece with the much shorter 8th seeming to a number of listeners anticlimactic, Beethoven himself considered the 8th immensely superior to the 7th.

REVIEW POTPOURRI: First Lady Elizabeth Monroe

Elizabeth Monroe

Peter Catesby Peter Cates

First Lady Elizabeth Monroe

Former 5th First Lady Elizabeth Kortright Monroe (1768-1830) was one of the most anti-social FLs to live at the White House during her eight years (1817-1825) while her husband James Monroe (1758-1831) ushered in what was known as the Era of Good Feelings, that period of “happiness” sometimes referred to by cynical misanthropes as the Era of Good Stealings, that story for another week.

One of the most lively chapters in Christine Sadler’s 1963 America’s First Ladies concerns the quiet Mrs. Monroe:

“She was forty-eight years of age when her husband became president and she had lived in Washington as a Cabinet wife for seven years without, it was said, making neither friends nor enemies. ‘The Monroes are perfect strangers, ‘ wailed Margaret Bayard Smith, the capital city’s most ardent note taker during the period and the one most often quoted, ‘not only to me but to all the citizens.

“The story of Elizabeth is almost entirely the story of her husband, on whom she was unusually dependent. It was an arrangement which apparently suited him perfectly and which he perhaps had fostered. She was only seventeen when he married her in New York City on February 16, 1786, while he was a member of the Continental Congress. He was twenty-seven and a veteran of the Revolutionary War, with a scar to prove it, and had studied law under his idol and mentor, Thomas Jefferson. One of his Virginia colleagues in the Congress described Elizabeth as ‘the smiling little Venus’ when she and her tall husband departed for a week-long honeymoon on the outer reaches of Long Island. ”

Pres. James Monroe

One very noble deed of Mrs. Monroe occurred when her husband was George Washington’s Minister to France in 1794. Adrienne Lafayette, wife of the Marquis who had provided much help with French troops during the last years of the American Revolution, was in prison with her two daughters and awaiting execution by the guillotine (She had already lost her mother, grandmother and sister to the blade.).

All Americans in France were under strict orders to maintain strict neutrality, even though Washington himself cherished Lafayette like a son. The Monroes decided otherwise and devised a plan.

Dressing in the finest apparel and the carriage decorated in full U.S. insignia, Elizabeth arrived at the prison with her entourage in all innocence to pay a visit to her dear friend and so charmed those powers that be that Madame Lafayette and her daughters were released from prison within a few days and given passports out of the country.

Upon the Monroes replacing the Madisons in the White House, they lived a very quiet life and pretty well shunned most Washington society, entertaining very small groups of family and friends.

Their older daughter Eliza and her husband George Hay (He was the prosecutor in the trial of Thomas Jefferson’s former vice-president Aaron Burr for treason) came to live with them at the White House and, with her mother’s blessing, she assumed most of the responsibilities for the limited social calendar in a most unfortunately arrogant manner. Furthermore, the First Lady was suffering from poor health.

Meanwhile the President had expensive tastes for finely crafted furniture from France and was granted $30,000 from Congress to decorate the newly-rebuilt White House. He also sought the most costly linen, china and silverware, running up the kind of bills which caused a previously supportive Congress to take notice.

After leaving the White House when Monroe’s Secretary of State John Quincy Adams assumed office in 1825, they retired to their country estate, Oak Hill, near Leesburg, Virginia, where Elizabeth Monroe died in 1830 at the age of 62 followed a year later by her husband at 73.

A couple of footnotes:

Elizabeth Monroe’s father served as a captain for the British during the American Revolution, a fact slyly concealed by Monroe from his family and friends.

In 1814, Monroe was riding on horseback near Baltimore Harbor when he saw several thousand British troops arriving by ship but, since nobody believed they would invade, it was too late for any advanced warning.

REVIEW POTPOURRI: Five LPs from my youth

Arlo Guthrie

Peter Catesby Peter Cates

Arlo Guthrie

During my senior year at Kent’s Hill boarding school the spring of 1969, I lived in Wesleyan Hall dormitory and was acquainted with a fellow whose father was a wholesale record distributor.

He provided me with five LPs for sale at $2 each and gave me several days to audition them.

They were as follows:

Arlo Guthrie’s Alice’s Restaurant devoted an entire side one to his satirical account of an environmental incident which, for purposes of space, will not be recounted here, while the flip side had five songs of very minor charm.

His father was folk singer Woody Guthrie whose most famous song was This Land Is Your Land.

It was also the basis for a movie.

In recent years, Guthrie announced that he was retiring, at 74, from performing and touring, aptly stating that it was time to hang up the “Gone fishing” sign.

He also scored a hit with the beautiful Steve Goodman folk ballad The City of New Orleans 50 years ago.

Rod McKuen

Rod McKuen

The second LP was one by singer/poet songwriter Rod McKuen (1933-2015) whose recordings and books sold hundreds of millions of copies. His singing was not exactly beautiful after he all but des­troyed his vocal chords as a much younger man working in night clubs.

His most famous songs are Seasons in the Sun which was a hit for the Kingston Trio; Love’s Been Good to Me covered by Frank Sinatra who devoted his LP, A Man Alone, to McKuen; and the English lyrics for Jacques Brel’s If You Go Away.

I am particularly fond of If You Go Away while my father enjoyed Stanyan Street. Glenn Yarborough of the Limelighters devoted several albums to McKuen .

McKuen lived in a large Spanish-style house on Southern California’s Pacific coast and owned a humongous record collection.

Burt Bacharach

Burt Bacharach

Number three was the original Broadway cast recording of Burt Bacharach’s Promises Promises. Jerry Ohrbach and Jill O’Hara did top notch starring and singing roles, Ohrbach with She Likes Basketball, A Fact Can Be a Beautiful Thing and the title song which was a megahit for Dionne Warwick while Jill O’Hara’s Knowing When to Leave was and remains to this day a show stopper.

Bacharach recently celebrated his 94th birthday.

Ray Coniff

Ray Coniff

The 4th album was one of the Ray Conniff (1916-2002) Singers performing mid ‘60s hits such as My Cup Runneth Over and Winchester Cathedral.

Conniff was one of the finest jazz trombonists during the ‘30s and ‘40s and can be heard in quite a number of old recordings of small combos from those years, especially with clarinetist Artie Shaw.

During the 1950s, Conniff worked side by side with Mitch Miller at Columbia records producing numerous discs by such singers as Tony Bennett, Marty Robbins, and Johnny Mathis.

Along about then, he formed the Ray Conniff Singers as a means of providing sophisticated easy listening albums for its huge market, as did Andre Kostelanetz, Percy Faith, Paul Weston, Nelson Riddle, Hugo Winterhalter, etcs.

And he utilized a number of the same men who were part of Mitch’s Sing Along Gang because every one of them could sight read music.

Mary Hopkins

Mary Hopkins

The last album was a solo LP featuring the wonderful Mary Hopkin singing her classic Those Were the Days and covers of other vintage hits-examples being Ray Noble’s Love is the Sweetest Thing, Inch Worm and There’s No Business Like Show Business. It was released on the Beatles’ own label, Apple records. She is still living at 74.

My friend was one happy camper when I handed him a $10 bill.

 

 

 

 

REVIEW POTPOURRI: Former First Lady Dolley Payne Todd Madison

Dolly Madison

Peter Catesby Peter Cates

Former First Lady Dolley Payne Todd Madison

Former First Lady Dolley Payne Todd Madison (1768-1849) grew up under very strict Quakers in Virginia chafing at their authoritarianism, and, needless to say, would fall very, very far from that denominational tree. She was the third of eight children born to John and Mary Payne who moved the family to Philadelphia in 1783.

In 1790, Dolley married a lawyer John Todd, with whom she had two sons. It was a happy marriage but short-lived.

In 1793, a yellow fever epidemic broke out in Philadelphia. Within four months, it caused over 5,000 deaths, including those of her husband, his parents and their youngest son.

However, in 1794, Dolley was introduced to a 43-year-old Congressman, James Madison Jr., who was a very shy 5-foot 4-inch bachelor but had the help of a mutual friend, the smooth talking reprobate and later Thomas Jefferson’s vice-president Aaron Burr (Both of these gentlemen were discussed in a previous column.).

Pres. James Madison

Unlike her staid predecessors Martha Washington and Abigail Adams, Dolley was one live wire whose personality, consummate charm, flamboyant clothes and generosity of spirit would leave its imprint on the political life of the nation’s capital for decades.

Dolley knew just how to talk to people and put them at ease. While her husband preferred to be by himself in the study and had few social graces, let alone the willingness to learn any, she was the first to have bi-partisan social gatherings; she also held firm to the rule that partying and political shop talk do not mix.

James’s second term may have been made possible by Dolley’s ability to win friends and influence people.

In 1814, the British invaded Washington and burned down the White House and other buildings, but Dolley did remove the painting of George Washington and other valuables in the nick of time.

By 1815, after living in rented houses, the Madisons moved into a newly-rebuilt White House.

One very early photo exists of James and Dolly Madison during their dotage in the 1830s and of her with others towards the end of her life. A quite fascinating daguerreotype has her with the 11th President James Knox Polk and the 15th President James Buchanan at an 1849 social gathering. These can be viewed on Google.

REVIEW POTPOURRI – Soprano: Frances Alda; Cellist: Beatrice Harrison; Conductor: Victor Herbert

Frances Alda

Peter Catesby Peter Cates

Frances Alda

Born in New Zealand, soprano Frances Alda (1879-1952) became a big star at the Metropolitan Opera in NYC, recorded a batch of Victor acoustic discs including duets with Enrico Caruso (1873-1921) and was married to Met manager Gatti-Casazza for several years.

A two sided , ten inch Victrola (527) features her very sweet singing of two longtime favorite selections, the native American love song, By the Waters of Minnetonka and the spiritual Deep River.

Both sides can be heard via Google.

Beatrice Harrison

Beatrice Harrison

A blue label ten inch Victor from 1924 (45072) features English cellist Beatrice Harrison (1892-1965) playing two charming pieces, David Popper’s Spanish dance To My Guitar and Nicolai Rimsky Korsakov’s Slumber Song from the opera May Night.

Harrison came from an incredibly talented musical family; one sister being a pianist, the other a violinist.

Beatrice attracted the attention of elite musical figures in English society- composers Sir Edward Elgar, Frederick Delius and Arnold Bax, each of whom composed works with her in mind; and conductors Sir Henry Wood, Sir Thomas Beecham (he called Harrison “That talented English lady”) and Sir Adrian Boult.

She recorded Elgar’s Cello Concerto in 1920 and 1928 with the composer conducting and did concerts with Sir Henry Wood several times at the Queen’s Hall in London, including the night before it was destroyed by the Luftwaffe.

Many of her recordings can also be heard via the internet.

Victor Herbert

Victor Herbert

Another blue label Victor record, 45170, has the composer/conductor/cellist Victor Herbert (1856-1924) leading Victor Herbert’s Orchestra in Charles Wakefield Cadman’s At Dawning and Poupee Valsante’s The Waltzing Doll. The ensemble consisted of very gifted musicians who gave beautiful performances on a sizable number of very fragile shellacs under Maestro Herbert.

In 1924, he died suddenly of a heart attack while at the doctor’s office.

Radiex was one of several dime store record labels which sold for a quarter per disc. A 1926 78 release contained a Great American Songbook classic staple, the Harbach/Hammerstein /Jerome Kern “Who” and the obscure but nicely composed “I’m Glad You’re Happy Again” sung the pseudonymous Mister X, whom research has determined to be any one of several singers.

 

 

 

 

REVIEW POTPOURRI: Years without a first lady

Thomas Jefferson

Peter Catesby Peter Cates

Years without a first lady

Christine Sadler’s delightfully gossipy, but well-researched 1963 book America’s First Ladies tells us the following about the years of Thomas Jefferson’s occupation of the White House:

“Thomas Jefferson (1743-1826) and the country, too, apparently, rocked along quite well without a First Lady for the eight years beginning in March of 1801. The third President, however, did have to call on Dolly Madison, the wife of his Secretary of State [and later 4th President James Madison (1751-1836)], to ‘assist with the ladies.’

“Jefferson was a widower of nineteen years standing when he moved into the President’s house with his exotic flower plants, his fiddle, and his mockingbird so tame that it hopped up the stairs behind him to sing during his midday siesta.”

His daughter Martha Randolph did step in at times and she and her husband Congressman Thomas Mann Randolph lived with her father at the White House, as did his other daughter Maria Eppes, also married to a member of Congress, John Wayles Eppes.

Martha gave birth to five sons and seven daughters, making Jefferson the President with the most living descendants. Her oldest son Thomas Jefferson Randolph would be the joy of his grandfather during old age while the youngest, James Madison Randolph, was the first baby born in the White House. The other three boys were also named for prominent Americans.

Jefferson courted controversy because of what was perceived as his tendencies to play politics and his worldliness. Unlike Washington and John Adams, he was not a committed Christian and, when he was elected President, there were rumors of elderly women in Connecticut burying their Bibles in the backyard.

In addition, Gore Vidal’s very colorful historical novel Burr, which is told from the point of view of Jefferson’s vice-president Aaron Burr, recounts how Jeff­erson, who preferred hosting dinner parties of one to five guests, would converse about subjects of interest to the guests.

Aaron Burr

In the interest of providing context for these dinner party conversations, I need to mention the following items.

Burr was the grandson of the famous preacher Jonathan Edwards, whose sermon Sinners in the Hands of an Angry God is a classic of early American literature and still frequently taught in college courses.

The vice-president was also a notorious womanizer who commented that his grandfather sought glory in heaven while he sought it on earth (Burr was tried for treason when he attempted to gather an army to invade Mexico and declare himself Emperor but was miraculously acquitted. And, of course, his most famous act of notoriety was killing Alexander Hamilton in a duel.).

Thus, when Burr himself was invited to dine with the President, Jefferson wanted to hear about Burr’s escapades with the women. In Burr’s words, “If my grandfather Jonathan Edwards was the guest, Jefferson would have been talking about the Book of Samuel.”

Jefferson also amassed a collection of 6,000 books, which became the basis of the Library of Congress.

Finally, after Abigail Adams died in 1818, her husband John Adams and Jefferson began a correspondence in which a range of subjects, including the comparisons of translations of Greek and Roman classics, would become the Adams/Jefferson Letters; pony express riders were making very quick trips on a weekly basis between Quincy, Massachusetts, where Adams lived and Monticello, Virginia.

And both men died July 4, 1826. On his death bed, John Adams expressed his hope that Jefferson was okay, not knowing that the latter had died three hours earlier.

REVIEW POTPOURRI: Prague Spring Festival

Yevgeni Mravinsky

Peter Catesby Peter Cates

Prague Spring Festival

Since 1946, the Prague Spring Festival has been a renowned annual gathering of top notch classical artists in the Czech Re­public. The An­dante label re­leased a nicely packaged set of four CDs and a hardcover book consisting of broadcasts from 1947 to 1968 featuring 11 great conductors with the extraordinarily accomplished Czech Philharmonic. I offer one anecdote of a fascinating guest Maestro and, due to space, brief comments on the others:

A 1957 Tchaikovsky 4th Symphony had the longtime conductor of the Leningrad Philharmonic, Yevgeni Mravinsky (1903-1988), delivering an especially riveting performance of what has become my favorite symphony by this composer, even more than his Pathetique or 6th.

YouTubes of Mravinsky reveal a poker-faced gentleman using the tiniest hand and finger gestures while drawing the most exciting playing. Just about every other conductor in the profession admired him.

Mravinsky also had the ability to make a piece always sound fresh, no matter how many times he had conducted it before. One player told of participating in 113 performances of the Tchaikovsky 5th under Mravinsky and each one was different from the others in some special way.

Mravinsky also had the longest tenure of any conductor, serving over 50 years as music director in Leningrad, before it changed back to being the Saint Petersburg Philharmonic after the early ‘90s collapse of the Soviet Union.

Leopold Stokowski (1882-1977) collaborated with pianist Lev Oborin (1908-1974) in a dazzling 1961 Rachmaninoff 3rd Piano Concerto. The charismatic Stokowski contrasted vividly with the jovially obese and bespectacled Oborin, who partnered in concerts and recordings with violinist David Oistrakh (1907-1974).

Longtime Boston Symphony Maestro Charles Munch (1891-1968) conducted a powerful rendition in 1967 of the captivating 6th Sym­phony of Czech com­poser Bohuslav Martinu, which Munch recorded ten years earlier in Boston for RCA Victor.

Munch preferred minimal rehearsals so as to give the players and himself greater reserves of energy and excitement during the concert itself. His YouTube videos reveal a man who could dance and jump like his younger colleague Leonard Bernstein.

The remaining conductors:

Igor Markevitch (1912-1983) with a blazing 1959 Stravinsky Rite of Spring and who was married to an heiress whose family made millions in the French perfume industry.

The irascible perfectionist George Szell (1897-1970), of Cleveland Orchestra fame, in a gripping Beethoven Coriolan Overture also from 1959. Somebody once commented that Szell was his own worst enemy to which Metropolitan Opera general manager Rudolf Bing retorted, “Not while I’m alive!”

Next, my personal favorite of the Maestros assembled here as one to collect recordings of, Belgium born Andre Cluytens (1905-1967) spent most of his adult years in Paris. He was a radical contrast to Szell, being a very kind man whose death from lung cancer because of his chain smoking saddened so many friends.

He was also incredibly brilliant at drawing exquisite performances and a 1955 Berlioz Symphonie Fantastique is one of five he left us, and all of them on my shelves.

Former Czech Philharmonic Music Director Vaclav Talich (1883-1961) recorded some fine 78 sets of Dvorak and Smetana that were released by Victor Red Seal here in the U.S. and conducts a lovely 1954 performance of Dvorak’s tone poem The Wood Dove.

He was wrongfully thrown into jail just after World War II for so-called “unpatriotic conduct” during the Nazi occupation but was released and exonerated by former Czech President Benes.

Another former CPO Music Director Karel Ancerl (1908-1973) conducts the 1968 very ravishing Smetana piece From Bohemia’s Meadows and Forests.

Ancerl was an emaciated Holocaust survivor when the camps were liberated. Not long after this 1968 concert, he and his wife and children emigrated to Toronto, Canada, just as the Russian tanks were rolling into Czechoslovakia.

Russian conductor Kirill Kondrashin (1914-1981) collaborated with pianist Sviatoslav Richter (1914-1998) in an elegant 1950 Mozart 20th Piano Concerto, although interestingly Richter detested most of Mozart’s music while much preferring the music of his teacher Franz Josef Haydn.

Kondrashin defected to the west during the late 1970s and was forging a wonderful relationship with the Concertgebouw Orchestra of Amsterdam but tragically died of a sudden heart attack on his 67th birthday just after conducting a concert with them.

The most well known Russian violinist David Oistrakh (1908-1974) delivered a powerful 1947 Prokofiev 1st Violin Concerto with Rafael Kubelik (1914-1996) conducting. Kubelik first conducted the Czech Philharmonic at the age of 19. Later he would be music director of the Chicago Symphony, the Royal Opera House at Covent Garden and the Bavarian Radio Orchestra of Munich.