REVIEW POTPOURRI: Mad Men, The Death of Stalin

Jon Hamm

by Peter Cates

Mad Men

The seven seasons of Mad Men, which ran on AMC from 2007 to 2015,was an interesting viewing experience throughout the last three to four months via Amazon Prime but, now that all 97 episodes have been watched, I feel tremendous relief that it’s over.

It depicts the world of Madison Avenue advertising agencies and their executives and other employees from 1960 to ’70 and does good work in recreating lifestyles, clothing and, most importantly, attitudes against the backdrop of American history during that decade – JFK, Vietnam, rock music, social media, the rising crime in Manhattan, the quiet desperation resulting from prosperity and the good life. And every episode would end with a song appropriate to that episode.

My gripe with the series was how tiresome most of the characters eventually became; the main character Don Draper, as portrayed by Jon Hamm, is insufferable in his selfishness, disloyalty and arrogance as he becomes a golden boy for creating successful ad campaigns; I was rooting for him to fail miserably, which he does by the end of the series when he has a rude awakening permeated with insincere repentance and accountability.

Only two performances really stood out – the late Robert Morse as the founder/CEO of the agency where Draper is a partner; and the extraordinary actress Elizabeth Ann Reaser who appears in a couple of episodes in season seven as the waitress Diane.

Reaser conveyed the depths of torment in her characterization of somebody who is apparently a loose cannon but who still evokes tremendous sympathy as a human being.

The actress graduated with honors as a theater major from Juilliard and, after struggling for a few years with bit parts, landed a role on daytime TV’s The Guiding Light. She gave an interview with the following comment about her upbringing:

“My father raised me from the time I was 12 years old. And it never occurred to me that I wouldn’t be strong – I wasn’t raised like that. ”

The Death of Stalin

Robert Morse

Elizabeth Ann Reaser

A 2017 film, The Death of Stalin, has three outstanding performances – Simon Russell Beale as Stalin’s KGB police chief Lavrenty Beria, Olga Kurylenko as Stalin’s favorite classical pianist Maria Yudina who sends a personal note to the Dictator telling him how much she loathes him, and Jason Isaacs as the Soviet military hero Marshal Zhukov who participates with other Central Committee members in the kidnapping and execution of Beria ten months after Stalin’s March 1953 death.

Otherwise this film, promoted as a satirical black comedy, is, as I commented to a friend, quite vile.

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